Joseph D. Ketner (Hrsg.). Nürnberg. Verlag für moderne Kunst Nürnberg 2013. Beiträge von Roy Dawes, Raphaela Platow et al. Englisch. 200 Seiten, 220 Abb. (davon 220 farbig). 24,1 x 31,7 cm. 980 g. Broschur. 9783869843162. art-13426

München 1983, die Wände sind unberührt. Politische Sprüche und Liebesbotschaften zieren vereinzelt das Grau. Plötzlich tauchen abstrakte Zeichen, seltsame Figuren und kryptische Buchstaben-Kombinationen auf, von denen niemand weiß, was sie bedeuten sol …

München 1983, die Wände sind unberührt. Politische Sprüche und Liebesbotschaften zieren vereinzelt das Grau. Plötzlich tauchen abstrakte Zeichen, seltsame Figuren und kryptische Buchstaben-Kombinationen auf, von denen niemand weiß, was sie bedeuten sol …

The series Not Just Your Face Honey by Austrian artist Stefanie Moshammer was produced in the USA nd reflects on the thin line between love and delusion. Her photographic work is based on a love letter written to her in March 2014 by Troy C., a man she …

Für ihr Projekt »Indirect Interviews with Women« hat Karina Nimmerfall im Mass Observation Archive der Universität Sussex recherchiert und Interviews ausgewählt, die im Jahr 1941 – während der Bombardierung Londons – mit Frauen über deren Lebenssituati …

Max Hollein, Matthias Ulrich (Hrsg.). Ausst’publikation. Schirn Kunsthalle Frankfurt/Main. Verlag für moderne Kunst Beiträge von Matthias Joseph Akel, Dominic Eichler, Joerg Heiser et al. Englisch, Deutsch. 200 Seiten, 25 x 33 cm. 1,3 kg. Fester Einband. 9783903004184.

STILL is an independent magazine featuring inventive writing and photography. The artists published by the magazine challenge creative conventions in form or content and include an eclectic range of creators working in fiction, nonfiction, poetry, essa …

STILL is an independent magazine featuring inventive writing and photography. The artists published by the magazine challenge creative conventions in form or content and include an eclectic range of creators working in fiction, nonfiction, poetry, essa …

Edited by Steinar Sekkingstad, Axel Wieder Texts by Matias Faldbakken, Sianne Ngai This publication accompanies Torbjørn Rødland’s exhibition “Fifth Honeymoon,” produced as a collaboration between Bergen Kunsthall; Bonniers Konsthall, Stockholm; and He …

Text by Carsten Tabel, English, 22 × 27,5 cm, 168 pages, 25 color and 92 black & white plates, softcover Kodoji Press, Baden 2018, ISBN 978–3–03747–089–3

Published by Deadbeat Club Press, 60 pgs, 28 × 21.5 cm, Softcover, 2018,

5 Stunden und 35 Minuten mit der Kamera im Fahrstuhl eines Verlagshauses, 20. November 1969, 10.35 –12.30, 13.30 – 17.10 Uhr On 20 November 1969 Heinrich Riebesehl goes to the premises of the Neue Hannoversche Presse. He intends to take photographs in …

Photography Calling! zeigt mit Werken von 31 Fotografinnen und Fotografen wie etwa Robert Adams, Diane Arbus, Lee Friedlander, John Gossage, Boris Mikhailov, Elisabeth Neudörfl, William Eggleston, Rineke Dijkstra und Martin Parr eine umfassende Übersic …

Published by Hassla, 28 pgs, 18 × 13 cm, Softcover, 2017, 978-1-940881-22-5

The second Issue of THIS IS BADLAND serves up a series of feasts, kicking off on the Balkans’ ritual of consuming food and drinks in copious amounts. We begin to liberate collective ways of eating the world before it eats us through a series of unrestr …

“In 1978 as the school year drew to a close two of my high school students who had tickets to a Rolling Stones Concert approached me and asked if I would like to go with them to the concert. After discussing it with my wife Nancy, who thought it was a good idea and promising photo opportunity, I was enthusiastic to go for the experience. My students were delighted that I’d be joining them. Besides they needed me to drive us to Philadelphia from Long Island, New York. So off we went for whatever adventure might lay ahead. And I carefully packed my three 35mm cameras and plenty of b&w film to record the event. Recently, I was inspired to revisit the contact sheets from that one day and choose images that still spoke to me after so many years. Here are some of those photographs I took on June 17th at JFK Stadium surrounded by 90,000 Rolling Stones fans who were so open to my camera. One footnote… Bill and Chris, my two students, are still in touch and we are good friends to this day. I am forever grateful to them for our trip to that Rolling Stones Concert.”

Ari Marcopoulos ‘Out & About’ should be considered a diary of one photographer’s journey through two decades of New York life. Originally form the Netherlands, Marcopoulos moved to New York at the end of the ‘70s. Out and About covers his photographic …

Crash, the independent magazine for Fashion and Arts Lovers.

MICHAEL SCHMIDT: WAFFENRUHE. Hrsg. von der Stiftung für Fotografie und Medienkunst mit Archiv Michael Schmidt. Beitr. von Janos Frecot, Einar Schleef, Karin Schmidt & Thomas Weski. Neuaufl. Köln 2018. 26,5 x 30 cm. 82 S. mit 39 ganz- bzw. doppelseit. s …

Edition Camera Austria 2013 96 Seiten, dt./engl. 255 x 330 mm, Festeinband 37 Farbabbildungen, zahlreiche Schwarzweißabbildungen ISBN 978-3-900508-95-1

The subject of this book is the natural world in Vietnam and how it has been affected by human influences: it has been subject to wars, the exploitation of large stretches of land, the socialist revival, and protection schemes; it also includes the tra …

Novosibirsk is the third biggest city in Russia after Moscow and St Petersburg. The young metropolis in Western Siberia is regarded as one of the most important cultural, industrial, and scientific centres in the country. Using the example of specific …

The first ever career retrospective of Los Angeles photographer George Rodriguez. Since the 1950s, Rodriguez has quietly documented multiple social worlds—in California and beyond—that have never before been displayed together, a rare mix of Hollywood …

annual art edition

Der Fotograf Ari Marcopoulos (*1957) dokumentierte die Hochphase des Fun-Sports Snowboarding sechs Jahre lang. Transitions and Exits zeigt intime Einblicke in den engen Kreis von Profisportlern einer millionenschweren Industrie. Marcopoulos wird für ei …

The book contains a body of new work and never before published fashion and documentary photographs. Childhood friends, colleagues and models are collaborators to Weir, and their input has been vital when constructing her work and interpreting the them …

Nico Curian graduated from HGB Leipzig in February 2018. He studied in the Photography and Moving Image class taught by Prof. Tina Bara.

newsprint, catalog 2018, spector bureau plus tote bag

Ursprung Gebrauch Überhöhung / Origin Usage Exaltation Arne Schmitt’s new photo book is devoted to a single material: basalt, a volcanic rock that has been mined for thousands of years in the Osteifel quarries of Mayen and Mendig. Its hardness coupled …

Im Krankenhaus (In Hospital) —a photo book edited by the Alfried Krupp von Bohlen und Halbach-Stiftung—was published in 1993. It was the last book to be designed by Otl Aicher, and the photographs by Timm Rautert were considered groundbreaking. Twenty- …

Falk Haberkorn, who is old enough to have consciously experienced the socialist system, the journey seemed like a kind of catch-up course on local history: as an experiment free of any preconceptions about whether this country would still have somethin …

newsprint, catalog 2018, spector bureau

In Borrowed Territories, Lucian Bran goes to the sites where Hatfield & McCoys was shot, a TV series about two confronting families right after the Civil War, in the second half of the XIXth century. He doesn’t travel to Kentucky, nor West Virginia, bu …

22 x 31cm, 76 pages with 27 plates Design: Sehsam Text: Irene Nenhoff-Herchenbach (ger.) Publisher: hesperus print*, Dresden (DE), 2018

1974 reist der junge Fotograf Timm Rautert nach Pennsylvania, USA um die zu fotografieren, die sich eigentlich nicht fotografieren lassen: Die Amish, eine täuferisch-protestantische Glaubensgemeinschaft. Vier Jahre später fährt er wieder nach Amerika, …

Published by Innen, 19 × 13 cm, Softcover, 2018

Georg Gatsas Publisher Cpress ISBN 9783952471012

Torbjørn Rødland constructs portraits, still lifes and landscapes, which simultaneously inhabit and defamiliarise the realm of the everyday. With a highly constructed and at times fetishistic approach to subjects, objects and materials, Rødland makes p …

Not since the early 2000s has a group of fashion photographers become a movement. Now, 21 contemporary fashion photographers have been brought together for Posturing, the book about a new movement. Featuring editorial work, it highlights how they use t …

Manege frei für die Welt der AkrobatInnen, der Clowns und der exotischen Tiere. Der Katalog „Parallelwelt Zirkus“ führt über die Werke zeitgenössischer KünstlerInnen in das Universum Zirkus ein und richtet den Blick auf einen wundersamen Ort der Welter …

Two photographers experience their first edition of Gărâna Jazz Festival and greedily capture all its details. From humans to animals, from sky to earth, from masters to disciples, from sound to light, we are witnessing a documentary created under the …

When those in the magazine industry need inspiration, they look to Purple. It has influenced countless other magazines and spawned trends that have trickled down through all levels of culture. To celebrate its fifteenth anniversary, this volume brings …

The strangeness of familiarity. As a visual artist, I can only say I was blessed to be born in Romania. In my country, almost everything is a picture. I do not have to search for images, I just live my life and pictures happen. Actually, the more I live my life the better my images get. People here have a specific quality, a sort of external image of poverty mixed together with profound internal abundance and creativity. A wonderful balance of roughness and sensibility. It all just comes together naturally, like an old pair of shoes you’ve worn thousands of times, they look worn out, but they’re your favorite pair, they’re comfortable, and then there’s all the memories you have together, places you’ve been, people you’ve met. You look at them and they make you smile. There is a lot of beauty in familiarity, like the classic Dacia car made in communist Romania, a symbol of nostalgia. All Romanians look upon it with fondness, especially the older generations but not because it was made in communist times but because it used to be the Romanian all inclusive family car. There are countless personal family memories attached to the car's instantly recognizable image. As a child I was, and still am, passionate about nature. I used to collect cactus plants, I had over 100 species of cacti and over 300 plants in total, I liked looking at them and I did it almost every day. As I watched every individual plant I knew every plants story of how I came to possess it. Some I grew from seed, some I bought from other collectors, there were some I got as a gift and some I stole from botanical gardens. There was always a story there. So, for me the image of each cactus plant contained this precious memory of time spent together. Family pictures work the same way, there is the picture, the actual physical photograph, and then there is the memory attached to it, the metaphysical or spiritual side of the image. My approach to photography is similar to the family snapshot, yet somehow it is the opposite, I already have the memory and I’m now searching, or rather waiting for the memory to manifest itself. The result is strangely familiar. The images in this project were made by Ovidiu Gordan in the counties of Sălaj, Bihor and Cluj, Romania, between 2007 and 2017

Hrsg. von Reinhard Braun. Anlässlich der gleichnamigen Ausstellung, Camera Austria, Graz, 10.3. – 29.4.2018. Mit einem Textbeitrag von Reinhard Braun (ger./eng.). Edition Camera Austria, Graz, 2018. 256 Seiten, 15,2 × 23,5 cm, 118 Duoton-Abbildungen. I …

MoMA PS1 presents the fourth iteration of Greater New York. Recurring every five years, the exhibition has traditionally showcased the work of emerging artists living and working in the New York metropolitan area. In conjunction with the exhibition, Mo …