Bound to the opposing notions of Dystopia and Utopia – this monumental volume is divided into two parts where the counterpoints are reflected through eight photographic essays and accompanied by topical texts. Odiseo offers a sophisticated take on erot …

Meandering forth through Montparnasse Cemetery each awakened dawn, bound for schoolmaster’s paper realm, lost youth’s Sophie Calle, amidst the labyrinthine gravestones, encountered many of the leitmotifs that would come to characterise much of her enig …

Kuwaiti producer and artist Fatima Al Qadiri is somewhat of an enigmatic figure at the merging point between electronic music, fine arts and political theory. Bending and fusing different genres of music, she has released a handful of largely instrumen …

Herausgegeben von Annemarie Jaeggi (Bauhaus Archiv / Museum für Gestaltung, Berlin), Claudia Perren (Stiftung Bauhaus Dessau) und Wolfgang Holler (Klassik Stiftung Weimar) für 100 Jahre Bauhaus, Geschäftsstelle Bauhaus Verbund 2019, Weimar.

This issue includes works by Todd von Ammon, Donatien Grau, Cecilia Alemani, Anthony Huberman, Michael Asher, Vincent Honoré, Ben Vickers, Pakui Hardware, Adriana Blidaru, Elizabeth Neilson, Margot Norton, Nicolas Deshayes, Piper Marshall, Liam Considi …

This book offers a unique view into the creative universe and artistic circle of agnès b. by bringing together major works she has collected and the special contributions by personalities such as Kenneth Anger, Jonas Mekas, Jonone, Futura, Edouard Glis …

For more than twenty years, Armin Linke has been photographing the effects of globalization, the wholesale transformation of infrastructures, and the networking of the post-industrial society via digital information and communication technologies. His …

Quarterly issue No 15 features Berlin-based Hort founder Eike König, Italian newspaper conceptualist Francesco Franchi, and the Brazilian designer Rejane Dal Bello on her graphic work in patient-centric design. Plus a tour of the creative side of Tel A …

Célébrant quatre ans de workshops conduits à l’ECAL/Ecole cantonale d’art de Lausanne par Novembre dans le Département Photographie, cette exposition et sa publication conjointe offrent un point de vue kaléidoscopique du monde contemporain à travers le …

“(Curating) From A to Z” offers a summary of the development of curatorial practice over the last two decades seen through the eyes of curator Jens Hoffmann. In this publication each letter of the alphabet evokes a particular word related to the world of exhibition making: From A (as in Artist) and B (as in Biennial) to R (as in Retrospective) and W (as in White Cube). Employing a diarist style, the curator presents his personal curatorial alphabet with a similar transparency and the same idiosyncratic character revealed in many of his exhibitions. The entries are not only stimulating and intellectually rigorous, but also emotionally engaging. Jens Hoffmann (b. 1974 in San José, Costa Rica) is a writer, exhibition maker, and educator. He currently is Deputy Director of The Jewish Museum, New York. He has published widely in journals and museum publications and has written over 200 texts on art and exhibition making over the last 15 years. His most recent books include “The Studio” (2012), as well as “Show Time: A History of Exhibitions” (2014). He is the founder and editor of “The Exhibitionist: Journal on Exhibition Making.” Most recently he co-curated the 9th Shanghai Biennial (2012/13) and the 12th Istanbul Biennial (2011).

A sourcebook of graphic design by one of the leading European art schools, the ECAL/University of Art and Design Lausanne, headed by Alexis Georgacopoulos. Designed and art directed by Gilles Gavillet, this volume aims to show the variety of production …

The publication recounts and documents, somewhat in the style of a history book, the principle steps, achievements, and teaching principles which have led the Ecole cantonale d’art de Lausanne from the position of a regional school to that which it occ …

Sibylle Berg has the eye of an entomologist: she scrutinizes wretched human existence for its characters, dissects feelings and dramas, stigmatizes dreams and hopes: but does so quite gently and humorously, with empathy. It is just that she prefers bei …

Daniel Buren’s follows the set-up of their respective artistic programs within the corporate spaces of the bank and the ways they conceived simultaneously their site-specificity and their break away from this framework.