Today it has become increasingly difficult to find a person or an object without some kind of connection to the internet. No Internet, No Art is dedicated to exploring what this situation entails with respect to one cultural field in particular: art. This anthology forms both the culmination and a continuation of a series of public events titled Lunch Bytes – Thinking about Art and Digital Culture, held in Washington, D.C., which invited artists and experts from different fields to discuss their work in relation to this overarching theme. By opening up the often narrowly-defined discursive field of “post-internet,” artistic practices are examined thematically within the larger context of digital culture. As such, this anthology offers valuable new contributions to the fields of art history, media studies, philosophy, curatorial studies, and design. With contributions by: Philipp Albers, Kari Altmann, Karen Archey, Aram Bartholl, Michael Bell-Smith, David M. Berry, Natalie Bookchin, Andreas Broeckmann, Melanie Bühler, Harry Burke, Adam Cruces, Michel van Dartel, Annet Dekker, Niels van Doorn, Raffael Dörig, Claire L. Evans, Kenneth Goldsmith, Joel Holmberg, Paul Kneale, Katja Kwastek, Monica Lam, Geert Lovink, Pierre Lumineau, m-a-u-s-e-r, Greg Niemeyer, Nicolas Nova, Jaakko Pallasvuo, Christiane Paul, Daniel Pinkas, Domenico Quaranta, Jon Rafman, Rafaël Rozendaal, Cornelia Sollfrank, Jenna Sutela, Douglas Thomas, Mark Tribe, Brad Troemel, UBERMORGEN, Ben Vickers, Bernadette Wegenstein, Peter Weibel, Elvia Wilk. Edited by Melanie Bühler Copy edited by Rachel Somers Miles Designed by Hannes Gloor with Freja Kir This publication was made possible with the generous support of the george foundation, Winterthur; the Erna and Curt Burgauer Stiftung, Zürich and the Canada Council for the Arts, Ottawa.

Zeichenheft, 28 Seiten, 2014

Susann Arnold lebt in Leipzig und studierte Illustration & Film an / lives in Leipzig and studied Illustration & Film at: „Hochschule für Grafik und Buchkunst Leipzig – Academy of Fine Arts Leipzig“ „Universität der Künste Berlin – Berlin University of …

Published by M/M(Paris), Alphadicks brings together an original series of drawings by Mathias Augustyniak. The title is appropriate: the black and white illustrations portray twenty-six elegant young men with giant phalli protruding from their backs, breaking out of their hats or placed delicately around their shoulders like animals after the hunt. A cheeky text in rhyme by Glenn O’Brien entitled ‘Dickheads’ introduces the drawings.

First published to critical acclaim in 1999 and reprinted numerous times, Fucked Up and Photocopied: Instant Art of the Punk Rock Movement is still the seminal book on the art of punk rock fliers. While most attention has been paid to the phenomenal archive of images in the book, the essays contained offer an incredible snapshot of the birth of the movement and its lasting legacy. The Reader collects all of these insightful pieces together with those contained in its follow up book, Punk is Dead, Punk is Everything in one tome. Writers include Brendan Mullen, Jello Biafra, Pushead, Mike Watt, Lorna Doom, Tony Alva, and many more alongside interviews with punk pioneers Ian Mackaye and Malcolm McLaren.

Format: Softcover Seitenanzahl: 76 Abmessungen: 19 × 12.5 × 1 cm Einband: geheftet

Erscheinungsdatum: 6/2011 ISBN: 9783943253016

Format: Softcover Publikationsstatus: erschienen Seitenanzahl: 120 Abmessungen: 23 × 16 × 1 cm Einband: Klebebindung

Seit ihrer Gründung 1957 ist die form das maßgebliche Fachmagazin für Designer und gestaltungsinteressierte Leser. Bis heute sind über 250 Ausgaben des Magazins erschienen. Nach dem inhaltlichen und gestalterischen Relaunch im Jahr 2013 beschäftigt sich die form in drei klar strukturierten Rubriken mit aktuellen Trends in verschiedenen Bereichen des Designs und bietet außerdem einen Überblick über relevante Veranstaltungen und Events.

The Journal explores the circulation of people, goods, information, and even fauna and flora, around the world and the transformative impact they have on contemporary life. While migration is part of humanity's genesis, it seems the phenomenon has become ubiquitous, happening faster, with complex ramifications. MIGRANT aims at exploring the relationship between these elements, events, journeys and spaces bound under the idea of 'migration' in all its forms, crucial to understand today's society. In order to break from the prejudices and clichés of migrants and migration, MIGRANT asks artists, journalists, academics, designers, architects, philosophers, activists and citizens to rethink our approach to migration and critically explore the new spaces it creates.

Eine Hotelsuite, drei Dandys. Der eine genießt nach den Welt-Hits seiner Band Pulp das Leben eines weisen Gentleman, Gesellschaftspoeten und Radiomoderators. Der andere kann alles von Rap bis Rachmaninow und macht allein mit Konzertflügel und Filzpantoffeln die Kölner Philharmonie voll. Dritter im Bunde: der persisch-amerikanisch-deutsche Musiker Malakoff Kowalski. Er sprach mit Jarvis Cocker und Chilly Gonzales über deren Hollywood-Liedzyklus Room 29: anrührende, entlarvende, bittersüße Musik über Liebe und andere sich in Hotelzimmern ereignende Katastrophen.