The first volume will be published to coincide with the tenth anniversary edition of 'Le Dictateur', and will then be published annually. 'FAQ', or Frequently Asked Questions, references an attempt to synthesize a recurrent flow, a tenor, an ideal visual representation of a given and very subjective “now.” Born out of an acute image consumption disorder, 'FAQ' reflects the mental assimilation of a relentless roving within physical and virtual art spaces: from galleries to Tumblr accounts, museums, or artists studios. It can be seen as a portable exhibition, a show on paper, a project of restitution, a hybrid object that you can leaf and scroll through. Far from being a rational enterprise, its lack of rules, hierarchy, order—or concept for that matter—make it expressly and brazenly as personal and biased as possible. 'FAQ' reflects the obsessive mannerism of its authors. The first issue includes works by Thomas Bayrle, Neil Beloufa, Caroll Dunham, Andra Ursuta, Jon Rafman, Kathy Grannan, Llyn Foulkes, Camille Henrot, Steven Shaerer, Korakrit Arunanondchai, and Judith Bernstein, among many others.

Die 8. Ausgabe der Bauhaus Zeitschrift beschäftigt sich mit dem Thema Bewegung. Sie enthält Texte und Gespräche von und mit Torsten Blume, Wolfgang Thöner, Bernd Wedemeyer-Kolwe, Werner Möller, Charlie Koolhaas, Elisabeth Kremer, Annett Zinsmeister, Fabienne Eggelhöfer, Lutz Schöbe, Ross Anderson, Florian Heilmeyer, Marion von Osten, Bernd Scherer, Madelaine Sillfors, Regina Bittner, Paul Nolte, Sasha Waltz und Angelika Fitz.

In a meteoric rise to fame, the Los Angeles–based Haas Brothers have garnered international accolades for their set design and props for print and video, one-of-a-kind fashion works and their highly original furniture and object designs. Their exploration and mastery of materials—ranging from brass, bronze, porcelain and fur to highly technical resins and polyurethane—matched with their insatiable curiosity and remarkable visual intelligence, sets them apart as designers. This monograph—the first on the brothers—focuses on their projects, including their Hex series of handworked bronze tile pieces, their Accretion series of unique ceramic vessels, the Beast series of bronze and wool anthropomorphic furniture and a new body of works that engages ideas about arousal and eroticism in playful, sculptural forms. The book features color photographs as well as writings and drawings by Simon and Nikolai Haas that convey their humor and eloquence while illuminating the inspirations, theories and processes behind the works, plus images of the Haas Brothers’ studio and practice. Twin brothers Nikolai and Simon Haas (born 1984), known as The Haas Brothers, got their start in design by studying stone carving and construction under their father in their hometown of Austin, Texas. In September 2010, the brothers were commissioned to collaborate on a project by renowned architectural firm Johnston Marklee, at Sony Studios in Los Angeles, and “The Haas Brothers” as a studio practice was born. In the two years since, the brothers have continued to grow their design studio and spend their time prototyping forms and experimenting with materials, surface textures and processes. In 2013 they created a limited edition furniture collection for Versace. In their current design works, The Haas Brothers explore aesthetic and formal themes related to nature, science fiction, psychedelia and color theory.

We believe that a man’s style is something that derives from his own personality, not from ephemeral “trends”. We enjoy opinionated men. Men with a sense of purpose and a soul. Smart, intelligent and creative; men with ideas and ideology. Men who are their own men, who don’t fit others’ standards. Misfits? Yes. We don’t believe in negativity. We believe in revolution.

'Toiletpaper' is an artists’ magazine created and produced by Maurizio Cattelan and Pierpaolo Ferrari, born out of a passion or obsession they both cultivate: images. The magazine contains no text; each picture springs from an idea, often simple, and through a complex orchestration of people it becomes the materialization of the artists’ mental outbursts. Since the first issue, in June 2010, 'Toiletpaper' has created a world that displays ambiguous narratives and a troubling imagination. It combines the vernacular of commercial photography with twisted narrative tableaux and surrealistic imagery. The result is a publication that is itself a work of art, which, through its accessible form as a magazine, and through its wide distribution, challenges the limits of the contemporary art economy.

Toiletpaper' is an artists’ magazine created and produced by Maurizio Cattelan and Pierpaolo Ferrari, born out of a passion or obsession they both cultivate: images. The magazine contains no text; each picture springs from an idea, often simple, and through a complex orchestration of people it becomes the materialization of the artists’ mental outbursts. Since the first issue, in June 2010, 'Toiletpaper' has created a world that displays ambiguous narratives and a troubling imagination. It combines the vernacular of commercial photography with twisted narrative tableaux and surrealistic imagery. The result is a publication that is itself a work of art, which, through its accessible form as a magazine, and through its wide distribution, challenges the limits of the contemporary art economy.

The upcoming Toiletpaper wall calendar 2017 features photographs conceived by Maurizio Cattelan and Pierpaolo Ferrari taken from their magazine Toiletpaper, an image-only publication devoted to the combination of the height of attractiveness with that …

SLEEK dedicates issue 52 to The New Native, a term that refers to people who look at home not as a geographic location, but rather as set of friends and relationships, as our EIC Jeni Fulton argues. With a hectic schedule of fashion weeks and travel, our cover star Virgil Abloh from the much-buzzed label Off-White encompasses this concept perfectly. Conversely, “Berlin Calling” focuses on six fashion designers who have chosen to call the German capital home for different reasons. Elsewhere in the magazine, stylist Tess Yopp revisits her childhood home of Moscow in the fashion editorial “On the Margins”; and Michelangelo Pistoletto discusses his career marked by 60 years of artistic rebellion.

Nummer 10 lebt! We will never stop collecting our favorite sticker artists all together in one magazine … like this one. Weil diese Nummer ein bisschen eine Jubiläumsausgabe ist, haben wir wieder Leute gefragt, an die sich Klebstoff-Maniacs auf jeden Fall erinnern werden, wieder ihren neuesten Stuff beizutragen und ausserdem ganz neue Gesichter. Mit Beiträgen von: Raquel Meyers, Sweden; Baptiste Virot, France; Nuria Figueiredo, Spain; Sebastian Schwamm, Germany; Ana Benaroya, USA; Robokid, Germany; Nick Alston, Japan; Berto Fojo, Spain; HOR, Germany; Lukas Weidinger, Austria; Boyane, South Korea and many more… Wenn ihr also noch Geschenke für euch oder eure Liebste sucht, greift zu!

Oysters in a 1930s gas station, fashion in a concrete carpark, art on the waterfront, Cuban juices, Haitian voodoo, a Nicaraguan gastro park… Get lost in the city of deco sunsets

Clare Rojas is an internationally shown artist, currently based in San Francisco and is considered to be part of the Mission School. She is “known for creating powerful folk-art-inspired tableaus that tackle traditional gender roles.” She works in a variety of media, including painting, installations, video, street art, and children’s books. She received her MFA from the School of the Art Institute of Chicago and previously attended the Rhode Island School of Design. Referencing West Coast modernism, Quaker art, Native American textiles, Byzantine mosaics, and Outsider art, Rojas tells stories through painting, installations, and video. Often her narratives concern relationships between the sexes and among humans and animals, in their struggle to find harmony and balance. Many works quietly celebrate the traditional strengths of women, depicting them like Russian nesting dolls in conventional roles without critical undertones or hints of sexual exploitation. Quilt-like patterns in vivid colors accentuate the folk art-inspired scenes present in some works, while simple geometric forms and stark interiors evoke Bauhaus design in others. Recently, Rojas has focused her attention on the abstract shapes formed by architecture and shadow that dominate interior spaces, producing colorful, precise, abstract compositions on stretched linen.

20 Pages, 14 x 20 cm, b/w Photocopy, Edition of 100, 2016

Born in 1942, Weisbecker studied interior design in Paris. By 1968 he moved to New York. First working as a draftsman in an architectural firm, he started a career as an illustrator at the age of 30. His work has been published in major american public …