PALAIS magazine is devoting its issue #27 to the exhibition “Another Banana Day for the Dream-Fish”, presented at the Palais de Tokyo from 22 June to 9 September 2018. This exhibition brings together creations by around 30 artists and craftspersons, ba …

As a curious observer of ordinary plants and other greenery, THE PLANT presents a monographic on a specific plant and brings together photographers, illustrators, designers, musicians, writers and visual artists; both established and emerging, from all …

The Museum of Rhythm is a speculative institution that engages rhythm as a tool for interrogating the foundations of modernity and the sensual complex of time in daily experience. When entering a larger cultural infrastructure such as the art museum, i …

Reportagen, das unabhängige Magazin für erzählte Gegenwart. Herausragende Autorinnen und Autoren berichten in spannenden Reportagen aus dieser Welt. Vor Ort recherchiert, persönlich bei den Protagonisten und abseits der ausgetretenen Pfade. Jeden zweit …

How arbitrary are the marks, analog and digital, used to express language, and where do they begin to muck it all up? This first book from Tauba Auerbach, Yes and Not Yes features over 20 new paintings and drawings that spring from those questions. They offer an excellent if roundabout answer: while letters are largely arbitrary, they are rich with abstract beauty and conceptual depth. In razor-sharp execution–which reveals her training as a sign painter–Auerbach's works on panel and paper update the abstract conceptual tradition, while retaining its intellectual rigor. Uppercase Insides and Numeral Insides recall Russian Suprematism, and, upon further contemplation, turn out to be just what their titles call them. Works based on signal flags and the Ugaritic Alphabet–an extinct language from Syria, 1300 B.C.–confirm that puzzlement is part of the desired effect here. Where direct exchange between sign and meaning is impossible, the beauty of the symbol comes to the fore.

Softcover 16 pages, English, 2011 Designed by Brian Roettinger Published by Honor Fraser, Inc

Published by Deadbeat Club Press, 60 pgs, 28 × 21.5 cm, Softcover, 2018,

5 Stunden und 35 Minuten mit der Kamera im Fahrstuhl eines Verlagshauses, 20. November 1969, 10.35 –12.30, 13.30 – 17.10 Uhr On 20 November 1969 Heinrich Riebesehl goes to the premises of the Neue Hannoversche Presse. He intends to take photographs in …

The Italian illustrator Lorenzo Petrantoni melds punk and Victorian styles to create detailed illustrative collages that serve as compelling commentaries on the current state of world affairs. Timestory is the first comprehensive collection of Petraton …

Naturalis Historia is the result of an ambitious multimedia research on the history of nature. Taking an encyclopedic approach, artist Pauline Julier explores several nature stories appealing to the arts and sciences to create this vast narrative. The …

Photography Calling! zeigt mit Werken von 31 Fotografinnen und Fotografen wie etwa Robert Adams, Diane Arbus, Lee Friedlander, John Gossage, Boris Mikhailov, Elisabeth Neudörfl, William Eggleston, Rineke Dijkstra und Martin Parr eine umfassende Übersic …

POP was conceived and launched from the offices of The Face magazine in the late-Nineties. From the first issue its voice and style was felt around the world, the bold and brave international fashion message leading the way for a legion of followers. B …

The Hot Seat is made from a series of drawings that focus on the impermanence of the physical things we perceive in our reality. The destruction of these objects is motivated simultaneously by the primitive desire to see things destroyed, the resentmen …

Published by Hassla, 28 pgs, 18 × 13 cm, Softcover, 2017, 978-1-940881-22-5