The starting point of this publication—and its eponymous exhibition held in Zurich in Spring 2017—is the conceptual encounter between English Pop art artist Richard Hamilton (1922–2011) and Swiss historian and critic of architecture Sigfried Giedion (1 …

First book dedicated to the English artist and musician (*1955). The artistic career of Linder Sterling stretches over three decades and numerous areas of cultural production. This publication brings together for the first time material ranging from he …

HOTSHOE AW17 includes portfolios by four British photographers: Sam Hiscox, Harely Weir, Simon Roberts and Alys Tomlinson. We also ask a roster of people such as Simon Baker, Todd Hido and Karen Knorr why they hate photography and speak with the V&A’s …

In the mid-1960s, there was widespread dissatisfaction in German architecture faculties: in the eyes of students and teaching assistants, the training of so-called artist-architects no longer seemed in keeping with the times. In protest, they independently organized their own interdisciplinary seminars and examinations. They committed themselves to the scientification of the architectural plan. During the period of student unrest, they debated the social uses of architecture and planning and tested participative models in practical contexts. Students printed flyers, campaigned in various political groups, and set up magazines. On the basis of interviews with contemporary observers of the scene, archival research, and contributions from authors, the book presents a detailed overview of these now almost “forgotten schools”. The editors were inspired not only by reviewing the historical events but also by the relevance they have for current debates on the professional profile of planners and architects and their sociopolitical responsibilities. Text: Matthias Burke, Beatrice Colomina, Hisar Ersöz, Jesko Fezer, Matthias Görlich, Nina Gribat, Eleonore Harmel, Julia Hartmann, Tanja Herdt, Leon Jank, Philipp Misselwitz, Ines Weizman Eyewitness: Harald Bodenschatz, Klaus Brake, Peter Conradi, Rolf Czeskleba–Dupont, Peter Dietze, Uwe Drepper, Gisbert Dreyer, Franziska Eichstädt-Bohlig, Rainer W. Ernst, Helga Fassbinder, Dieter Frick, Anette Gangler, Sigmar Gude, Lothar Götz, Sybille Heeg, Peter Herrle, Peter Hübner, Frank Huster, Declan Kennedy, François Kerschkamp, Bärbel Kirschner, Ingrid Krau, Reinhard Kuchenmüller, Nikolaus Kuhnert, Arno Lederer, Wolfgang Linsenhoff, Ingrid Lübke, Jörg Pampe, Sybille Plesch-Kinzler, Wolf Reuter, Hans-Joachim Rieseberg, Winfried Schwantes, Wolfgang Schwinge, Thomas Sieverts, Viktoria Waltz, Manfred Walz, Klaus Zillich

oiletpaper is an artists’ magazine created and produced by Maurizio Cattelan and Pierpaolo Ferrari, born out of a passion or obsession they both cultivate: images. Number 15, powered by Perrotin. The magazine contains no text; each picture springs from …

The Journal explores the circulation of people, goods, information, and even fauna and flora, around the world and the transformative impact they have on contemporary life. While migration is part of humanity's genesis, it seems the phenomenon has become ubiquitous, happening faster, with complex ramifications. MIGRANT aims at exploring the relationship between these elements, events, journeys and spaces bound under the idea of 'migration' in all its forms, crucial to understand today's society. In order to break from the prejudices and clichés of migrants and migration, MIGRANT asks artists, journalists, academics, designers, architects, philosophers, activists and citizens to rethink our approach to migration and critically explore the new spaces it creates.

The first-ever global survey of brutalist architecture from the 1950s to the 1970s, based on research project carried out collaboratively by Deutsches Architekturmuseum DAM and Wüstenrot Foundation.

Ein spektakuläres Erschliessungsprojekt des Deutschen Architekturmuseums und der Wüstenrot Stiftung: Erstmals wird die brutalistische Architektur der 1950er- bis 1970er-Jahre in einer weltweiten Bestandsaufnahme dargestellt.

How can one put music on exhibit in an art context? This was the question preoccupying curator Clara Meister, artist and composer Ari Benjamin Meyers, and producer Thomas Mayer when they started Soundfair in Berlin in 2008 — an international exhibition …

Social media provides an endless stream of images celebrating the perfect life. But are we living better lives as a result of this idealizing visual bombardment? We talk to artists who are scrutinizing the onslaught, offering us glossy images of the pe …

Featuring: Lawrence Weiner, Na Kim, Gay Talese, Kyoichi Tsuzuki, Maria Pratts, Jerry Schatzberg, Julien Dossena, Alec Soth, Margot & Fergus Henderson, Joseph Holtzman, Beach house in drag, Maureen Paley, and Domestic dystopia? Plus: A series of unique …

Entangling the seemingly contradictory, THIS IS BADLAND takes its Balkan roots to mine cross-cultural connections and initiate new dialogues. Based out of Berlin the magazine is driven by a desire to veer away from any homogenous understanding of reali …

herausgegeben von Juliane Richter, Tanja Scheffler und Hannah Sieben mit Texten von Katharina Benjamin, David Crowley, Tom Erdmann, Simone Hain, Dieter Hassenpflug, Thomas Hoscislawski, Wolfgang Kil, Antje Kirsch, Gwenaëlle Le Goullon, Kaja Mielcarek, …

The German photographer Daniel Sannwald (*1979) produces magical, surreal, and colorful images. Based in London, he contributes to magazines such as Dazed and Confused, i-D, PoP, Arena Homme+, and Vogue, and is considered one of the top fashion photogr …