The mid-1960s witnessed a boom in underground and selfpublished works. Hectographs, mimeographs, and offset printing not only allowed for the production of small, lowcost print runs but also promote a unique aesthetic: using wild mock-ups, »messianic amateurs« combined typescript aesthetics, handwriting, scribbled drawings, assemblages of collaged visuals, porn photos, snapshots, and comic strips. The typography consciously frees itself, in parallel to a liberalization of linguistic and visual forms of expression in the name of a new »sensibility«. This book (which appears in conjunction with an exhibition at the Weserburg in Bremen) is the first to present the underground and self-published works that came out of West Germany in such depth, while also showing the internationalcontext in which they emerged: not as an anecdotal history but as an attempt to tap into the aesthetic cosmos of a Do-It-Yourself rebellion, one that also challenges us to take a new look at the current boom in »independent publishing«, the risograph aesthetic, and so on.

With the publication Metafiction, we pay a tribute to the many renowned artists with whom we have worked over the past 25 years including Blommers/Schumm, Anne de Vries, Freudenthal/Verhagen and Jaap Scheeren.

Legendary photographer Ari Marcopoulos shoots the cover of the latest HERO. Inside, the photographer presents a 32-page project featuring his sons Ethan and Cairo, who he has been documenting for more than twenty years; old photos appear alongside completely new images, telling the story of three lives intertwined. Kim Jones, artistic director of men’s ready to wear at Louis Vuitton chooses filmmaker and photographer Dexter Navy to shoot one of the highlights of FW17 fashion week – the Louis Vuitton x Supreme FW17 collection. We shoot an exclusive Saint Laurent FW17 menswear story – in print just nine days after being shown on the runway in Paris, and a glimpse of Lanvin FW17, rebellious and dynamic. Photographer Paolo Zerbini travels to Poland for a story spanning HERO and HEROINE, shooting high-octane kids and their souped-up cars; we talk to actor Dacre Montgomery about becoming the new Red Power Ranger, and actor Cole Sprouse, star of hit Net ix series Riverdale, about graduating NYC and escaping the trappings of being a kid star. Artist Sue de Beer collaborates with stylist Paul Sinclaire on a dystopian vision of the future and hacker-turned-rapper YTcracker lurks in a chat room to discuss cyber authenticity on TV with fellow coder David Kennedy. Also featuring smooth-singing musician Zak Abel and introducing young Parisian label AFTERHOMEWORK. Danielle Levitt shoots a group of dirt bike riding friends in LA, Daniel King travels to Niagara Falls to street-cast and document kids with fashion director Gro Curtis. Plus actors to watch: Joe Cole and Austin Abrams.

Each cover of i-D magazine gives you a knowing wink that hints at the wonder inside. Cutting-edge and influential, this publication is well known for its superb layout and first class photography. From the UK, this manual of style was one of the first to break the barrier between art and fashion photography.

Infrared satellite image in 12 parts bound to leaflet. Captured by NASA’s Terra satellite, the image shows the volcanoes Cerro Luxsar, Olca and Parumastrato.

Since 1998, Ingo Giezendanner, alias GRRRR, has been documenting the urban spaces in which he has travelled and lived. Apart from his native city of Zurich, his travels have taken him to diverse cities from New York and New Orleans to Cairo, Nairobi, Karachi and Colombo. Everywhere he travels, he captures his surroundings on location with pen on paper. His drawings have been presented in numerous magazines, books and animated films as well as in spacious installations and wallpaintings. Published on Occasion of the 100 Year Anniversary of the Zentralbibliothek Zürich Book Launch, 6.30 pm, Thursday, February 2nd, 2017 at Zentralbibliothek Zürich

From 1986 to 2005, Helmut Lang systematically deconstructed every assumption about clothing and the way it is worn and communicated. As he himself once said, “I kept all the traditions and shades that were good — and then re-thought it all.” The Austrian designer’s lists of “firsts” is so long it could double as conceptual art. Lang was one of the first designers to collaborate with visual artists. The first to show clothing for men and women in a single presentation. The first to pioneer backstage photography as we know it today with Juergen Teller. The first to move a fashion house across the Atlantic … and the list goes on. In a 48-page dossier, 032c Issue 31 explores THE HELMUT LANG LEGACY and how his abrupt exit from the industry in 2005 has been felt like phantom limb in the world of fashion. The comprehensive study features essays by Ingeborg Harms and Ulf Poschardt, a roundtable with Tim Blanks, Olivier Saillard, and Neville Wakefield, an interview with Lang himself, as well as rare material from the Helmut Lang archive. Is Calabasas the new Abu Dhabi? Are the Californian suburbs the perfect place for new energy experiments in modern apparel? In an editorial shot by MERT & MARCUS and conceptualized by KANYE WEST, 032c travels to the Los Angeles exurb of Calabasas to bathe in the dust of the Wests’ under-construction home designed by Axel Vervoordt. The shoot features cameos by KIM KARDASHIAN WEST, KHLOÉ KARDASHIAN, AMINA BLUE, TRAVIS SCOTT, and others. “At the time we started collaborating, everything in the world of art and fashion was polished. Everything was smooth, so we felt that Prada must be rough.” For the past decade, a windowless concrete hall at the PRADA headquarters has become an architectural gymnasium for REM KOOLHAAS and his firm OMA/AMO. Traveling from Rotterdam to Milan, architecture critic Jack Self examines the phenomenon of the firm’s catwalks for the Italian mega-house, exploring how Prada and OMA/AMO have teamed up to create the foundation of a new corporate aesthetic. “You fuck. Or you don’t fuck. You can’t fuck a little.” In a 2012 reportage, writer Alexander Gorkow and photographer Andreas Mühe followed RAMMSTEIN on their tour of America. Since then, our private obsession with this document has become a matter of political urgency. What was once the anti-capitalist spectacle of an East German rock band in 2012, now reads like a seismograph for the right-wing political landscape of 2016. Here, we witness ideology’s opposite: raw energy unhinged from the burden of truth. As our contemporary economy grows to demand CREATIVITYfrom all of its citizens, it has become increasingly unclear exactly what “creativity” is. In a double-feature illustrated by the Japanese photographer Kenta Cobayashi, Joachim Bessing speaks with Wolfgang Ullrich and Lars Vollmer on how society’s idea of a creative ethos has transformed within the digital revolution. “People say this is vandalism.” 032c’s Bianca Heuser and photographer Nadine Fraczkowski take us inside ANNE IMHOF’s Angst, a grand and opaque artwork that has drifted across the world like a low-pressure system. Furnished with smoke machines, sleeping bags, razors, and bongs, the three-act immersive opera is a training camp for the denizens of hyper-capitalism. Founded as sneaker blogs in 2005, HYPEBEAST and HIGHSNOBIETY have grown into large and disruptive forces in fashion. Simultaneously fuelling and gorging on a new generation’s appetite for content, they have set a rabid pace that has multinational brands following suit. Travelling up the feed and towards “the heart of content,” 032c’s Thom Bettridge and photographer Lukas Wassmann visit the companies’ respective HQs in Hong Kong and Berlin to suss out what this revolution spells for the landscape of media at large. In the “SSENSE Files,” we present scenes of cross-platform madness from our work at ssense.com. The section features seven interviews with a range of cultural producers from rappers LIL YACHTY and SCHOOLBOY Q to jewelry designer GAIA REPOSSI, stylist ANDREW RICHARDSON, author NATASHA STAGG, artist SIMON DENNY, and artist/musician FATIMA AL QADIRI. In our fashion section, WILLY VANDERPERRE and OLIVIER RIZZO shoot Clara 3000 in the editorial “Don’t Dream It’s Over.” GOSHA RUBCHINSKIY and 032c fashion director Mel Ottenberg team up for the ultimate study on Seinfeld-chic, while PIERRE DEBUSSCHERE and 032c fashion editor Marc Goehring vaporize Flemish baroque into a warped digital reality. This issue, we also proudly introduce our “BERLIN REVIEW,” a section dedicated to our favorite printed matter of the season. All this and more on 296 pages!

Product Description INSIDE THE COVER Yves Scherer by Abaseh Mirvali POP UP SECTION
THE MACHINE A year-long section edited by Anthony Huberman Text by Robert Snowden Images by Lutz Bacher PORTRAITS IN
THE EXHIBITION SPACE Walter Hopps will be here in 20 minutes by Lorenzo Benedetti ICONS Renate Bertlmann in conversation with Vincent Honoré ARTIST’S PROJECT Soft Bodies / Invincible Critters by Eva Papamargariti SPOTLIGHT Sean Raspet in conversation with Ceci Moss SPOTLIGHT 25 Questions for Mitchell Anderson by Liam Gillick SPOTLIGHT Anna Uddenberg in conversation with David Lê ABOUT Pablo Bronstein by Martin Hargreaves ABOUT Stuart Middleton. I am just going outside, I may be some time by Anna Gritz ARTIST’S PROJECT 10 Records by Zin Taylor A VISIT TO Guerrilla Girls, Whitechapel Gallery, London with João Mourão & Luís Silva HOT! Daiga Grantina by Stephanie Seidel Elliot Dodd by Paul Luckraft Pia Camil by Frédéric Bonnet Daniele Milvio by Attilia Fattori Franchini

ARTHUR JAFA AND SONDRA PERRY Ill Suns Dean Daderko A QUEST TOWARD THINKING IN OCEANIC WAYS Heidi Ballet and Stefanie Hessler THE SEARCH FOR A UNIQUE, NON-REPEATABLE EXPERIENCE John P. Allen, Hans Ulrich Obrist and Kathelin Gray HANNAH BLACK Body Party Rahel Aima WHAT DO WE KNOW? Alexander Provan POPE.L Americanismo Mia Locks PUPPIES PUPPIES Hide and Seek Tenzing Barshee and Forrest (Husband of Puppies Puppies) MARIANNA SIMNETT Acts of Disappearance Sam Thorne LUKE WILLIS THOMPSON About Face Tobi Haslett KAREL MARTENS The Office and the Orgasm Nick Currie A COLOR THAT IS A FORM OF THINKING Carolyn Christov-Bakargiev A THING WITHOUT A PAST? THE ECONOMY AND AESTHETICS OF ARTISTS’ EDITIONS Orit Gat ERIC BAUDELAIRE Empathy and Contradictions Anna Gritz BASEL ABBAS AND RUANNE ABOU-RAHME Incomplete Narratives Fabian Schöneich THEORY OF THE MINOR Chris Sharp STAGING AFFECT Sabrina Tarasoff EXHAUSTED AND FATIGUED: BIENNIAL GRIDLOCK Jens Hoffmann LIGIA LEWIS Feelings Matter Elvia Wilk RAÚL DE NIEVES
 Craft Store Meets Dark, Dark Disco David Everitt Howe

Wenn Gesellschaft ihre typische Prägung an ihren Rändern erfährt, eine Idee, die wir in der letzten Ausgabe aufgegriffen haben, so gilt dies umso mehr für die fotografischen Bilder selbst. In dieser Ausgabe interessieren wir uns für die Übergänge des Fotografischen ins Performative, für die Passagen der Fotografie in die Dispositive des Kinos und des Videos, […]

Anlässlich der Ausstellung erscheinen vier Kataloge der PreisträgerInnen mit je 64 Seiten in einem Schuber mit Texten von Kristin Bartels, Dietrich von Berg und Hans-Werner Schmidt, herausgegeben von der Marion Ermer Stiftung in Zusammenarbeit mit dem Museum der bildenden Künste Leipzig.

Im April 2013 begaben sich die Fotografen Nico Krebs und Taiyo Onorato – sie arbeiten seit zwölf Jahren zusammen – in einem Toyota Landcruiser Jahrgang 87 auf eine Reise in Richtung Osten. Die ungefähre Route war mit dem Finger auf der Landkarte abgefahren, ebenso der erhoffte Endpunkt der Reise bestimmt: Ulaanbataar, Hauptstadt der Mongolei. Eine richtige Expeditionsreise: ein Aufbruch ins mystische Reich des Ostens, Eurasia, Zentralasien, die Ausläufer des Himalajas, die Wälder Sibiriens, die Stan-Republiken, die gigantische Weite der ehemaligen Sowjetunion. Ein riesiger Kontinent, eine Landmasse, von der nur sehr wenige Bilder in unseren Köpfen verankert sind, zumindest keine klaren, definierten, eher ein Nebel aus Historie und Weltpolitik. Krebs und Onorato begaben sich auf die Suche nach diesen Bildern, sie wollten sie reproduzieren, sie selbst kreieren. Continental Drift ist ein Trip entlang der Grenzen der Dokumentation und Fiktion eines unbekannten Terrains und seiner möglichen Vergangenheit und spekulativen Zukunft. Zentral waren die Momente des absolut Fremden, Unzugänglichen, Bizarren gepaart mit einer beeindruckenden Offenheit und Gastfreundschaft, die sie noch nie so ausschweifend erleben durften und in spürbarem Gegensatz zu ihrer letzten Reise durch die Vereinigten Staaten steht (The Great Unreal, bereits in dritter Auflage in der Edition Patrick Frey erschienen). Viele der durchquerten Länder und Regionen befinden sich in einem Wandel: Irgendwo zwischen Jahrtausend alter Tradition und Historie, post-kommunistischer Standortbestimmung, religiösen, territorialen, ethnischen Wirren und dem dringenden Wunsch nach Anschluss an den globalen Turbokapitalismus – die Suche nach Identität ist spürbar. Diese Suche und auch Verwirrung widerspiegeln sich in Continental Drift.

The White Review No. 19 features an our interview with ALVARO ENRIGUE, a Mexican writer in New York, ALICE HATTRICK's meditation on illness and intimacy, an excerpt from VIRGINIE DESPENTES' Vernon Subutex (trans. Frank Wynne), and new poems from SOPHIE ROBINSON. We are also excited to present interviews with philosopher ROSI BRAIDOTTI (conducted as part of our collaboration with the Centre for New and International Writing at the University of Liverpool), on how the humanities can combat racism and sexism, and artist RACHEL MACLEAN, whose hyper-surreal dystopian videos offer a dark vision on the present times (and who also contributes a concertina insert of her recent prints). The are long form essays by JACQUELINE FELDMAN, on feminist protest group Femen; and conceptual artist JILL MAGID on her stay at the house of the late Luis Barragán. THOMAS CLERC (translated by Daniel Levin Becker) contributes a beautiful homage to his friend Edouard Leve, whose writing has featured in previous issues of The White Review. The issue also includes new fiction by JASON SCHWARTZ, poetry from CA CONRAD. The cover is by JULIA DAULT.

PROPAGANDA Propaganda, the manipulation of political opinion by means of carefully selected information or disinformation, is common to all eras. But rarely was the playing field so ambiguous and the players so hard to identify. Even at the highest political level, facts that appeared incontrovertible now seem to be ruthlessly parried by people wielding ‘alternative facts’. In an age defined by the alarming rise of Post-Truth politics, it is of the greatest importance to take a closer look at the nature and provenance of information, especially visual material. Historical examples aside, the portfolios featured in this issue come primarily from contemporary artists. These artists share a critical attitude to propagandist media strategies and the visual imagery deployed within them. Art has the capacity to expose power, and where possible show its true face. That is more valuable now than ever. CONTRIBUTING PHOTOGRAPHERS AND ARTISTS Christopher Anderson, Mathieu Asselin, Roger Ballen, Wafaa Bilal, Asger Carlsen, Simone Donati, David Favrod, Osservatorio Fotografico, Thomas Mailaender, Sarah Maple, Simon Menner, Rico & Michael, Sabine Mirlesse, Jaya Pelupessy, Márton Perlaki, Ivor Prickett, Robert Rauschenberg, Émilie Régnier, Maya Rochat, Harit Srikhao CONTRIBUTING WRITERS David Campany, Jörg Colberg, Marcel Feil, Hinde Haest, Helen Hsu, Kim Knoppers, Mirjam Kooiman, Stanley Wolukau-Wanambwa

leipzig, 2016

GARAGE Magazine is a biannual print publication that brings to life the most original and ambitious collaborative projects across contemporary art and fashion. The magazine was launched in 2011 by Editor-in-Chief Dasha Zhukova, taking its name and spir …