Die documenta 14 ist eine Herausforderung in ihrem Konzept und ihrer schieren Größe. Als unverzichtbare Orientierungshilfe begleitet KUNSTFORUM diese Großausstellung traditionell mit einem großen Sonderband. Auf über 600 Seiten und mit mehr als 1000 Ab …

Ansichten über Schrift und Typographie. 2006. 25 x 33,5 cm. Gewicht: 2,6 kg. 368 Seiten mit 1000 Abb. Register. Fester Einband. Text: Deutsch. Hatje Cantz

Filmplakate. Folkwang Museum Essen 2013. Beiträge von: Tobia Bezzola & René Grohnert. 20,5 x 26,5 cm. Gewicht: 556 g. 128 Seiten mit zahlr. farb. & s/w Abb. Abb'verz. Broschur. Text: Deutsch. Steidl. ISBN 9783869306582.

64 pgs, 24.5 × 17 cm, Softcover, 2017

As a curious observer of ordinary plants and other greenery, THE PLANT presents a monographic on a specific plant and brings together photographers, illustrators, designers, musicians, writers and visual artists; both established and emerging, from all …

Whether its the lure of reminiscence, the promise of the future, or scientific fascination, the fantasy of time travel holds universal appeal. The laws of physics suggest that time does not actually flow in any particular direction and therefore we might—someday—travel through time as freely as we travel through space. This issue of Conveyor Magazine explores time travel by employing the camera as our time machine; a tool that alters our temporal experience and transforms perception of time and space. A photograph eternally suspends a moment, leaving behind a document that we may then return to and investigate again and again. Photographs allow us to reassemble and manipulate the sequence of events. Timelines are thus reconstructed, the past is altered, new histories are created, and the distant future is just a shortcut away. Featuring projects by Jonathon Keats, Rachel Sussman, Katie Paterson, Susannah Sayler & Ed Morris, Matthew C. Lange, Jeremy August Haik, Burkhard von Harder, Susan Dobson, Jordan Tate, Marlo Pascual, Lori Nix, Simen Johan. The Group Show includes photographs by Sasha Tamarin, James Reeder, Jiaxi Yang, Daniel Terna, Aaron Canipe, Joss McKinley, Jennifer Garza-Cuen, Cassandra Klos, heatherm. o'brien, Tim Soter, Jay Gould, Gregory Vershbow, and Felicia Honkasalo. This issue was edited by Christina Labey, Dominica Paige, Liz Sales, Jeremy August Haik, and Jason Burstein. Designed by Elana Schlenker. Custom Typeface design by Or Type. Printed and bound at Conveyor Arts.

Published by Conveyor Editions, 110 pgs, 27.5 × 22.5 cm, Softcover, Spiral Bound, 2016,

270 pgs, 35 × 24 cm, Softcover, 2017

27 × 20.5 cm, Softcover, 2017,

War On Dust is a collection of reduced portraits, a gallery of heroes, villains and slaves. Veterans of microscopic conflict and mythic figures from a parallel dimension, bleached, warped and presented for inspection. Will Sweeney is a graphic artist living and working in East London, he is the authour of the comic book Tales From Greenfuzz and draws representations of other worlds for you to try out.

erfurt, 2017

In der Trägerschaft des Vereins 100 Beste Plakate e.V. wird seit 2002 einmal im Jahr ein Wettbewerb ausgeschrieben, bei dem eine international besetzte (und jährlich wechselnde) Jury aus rund 2000 Einreichungen wegweisende Plakate aus dem Bereich Corporate Design, Werbung und Autorengrafik prämiert.

The artist book reveals 72 colourmarks reproduced with spot colour printing (Sonderfarben).