Issue Two features the following artists Brooke Holm, New York Camille Moir Smith, Melbourne Céline Bodin, London Melitta Baumeister, New York We Are Huntly, Melbourne Sophie Mensen ‘OS OOS’, Eindhoven Veerle Wenes, Antwerpen Nathalie Rossetti ‘Rossett …

Volume 11 Cocoon is an ever evolving metamorphosis, featuring Milk Tooth by Kingston Trinder, Rites of Passage by Vincenzo Angileri, Ode to Softboy by Eugenia Lapteva and a Fake Monologue from space. Visual essays by Alice Schillaci, Tom Blesch, Rebecc …

Another Man slip into a netherworld of psychedelic horror… This season, Another Man presents a series of six covers, each a unique and charged exploration of ‘Psychodrama’. First, VINCENT GALLO stars on two covers, photographed by Collier Schorr and st …

Prison Nation Most prisons and jails across the United States do not allow prisoners to have access to cameras. At a moment when 2.2 million people are incarcerated in the US, 3.8 million people are on probation, and 870,000 former prisoners are on par …

Adrien Toubiana Al Freeman Alexander Coggin AORTA films Ashkan Sepahvand Benjamin Freedman Birgit Jürgenssen Bonnie Lane Camellia Kazi Christeene Vale Christian Holstad Cupid Ojala D. Alex Pitagora Daniel Handal Duncan Hannah Eric Kostiuk Williams Erin Reznick INVISIBLE-EXPORTS Jessica Baldanza Kate Kolberg Kenya (Robinson) Magdalena Suksi Mat Brown Matt Lambert Natasha Gornik Olivier Smolders Penumbra Paraphernalia Inc. Rebecca Cianfrini Rebecca Morgan Robin F. Williams Sholem Krishtalka Soufiane Ababri Tif Robinette Tina Horn Zak Krevitt

True issue 5 takes us on a tour of continents: from Africa to Europe and across to North America. On the way we’re introduced to individuals, families, their communities and homes. The issue’s diverse group of contributors capture this theme of ‘people and place’ through a variety of lenses: Lea Colombo’s vivid ‘Seven Chakras of South Africa’ shows the people she met during a road trip along the Eastern Cape of her home country in 2016. Pieter Hugo presents an intimate series of family portraits from his archive, entitled ‘Family’. The images, taken in Africa and Europe over the course of a decade, provide glimpses into different family environments that at points feel familiar and at others entirely unknown. Elsewhere Gregory Halpern’s story, ‘Revisiting Omaha’, introduces the communities he met during a residency at the city’s Bemis Center in 2005. Gregory recalls this as an important and foundational period in the development of his photographic style and approach. The universal theme continues in Nick Haymes’ ongoing documentary of Bailey and her circle of friends at the Savage Ranch artistic community in Temecula, California. And in Sam Rock’s photographic essay created during the 2017 French Tennis Open, where he captures the congregation of spectators that share his love of the sport. Elsewhere in the issue are stories created in collaboration: Bibi Cornejo Borthwick and her father Mark Borthwick stage a fashion show on the streets of Brooklyn. While Benedict Brink’s experimental project with set designer Mila Taylor Young and model Yasmine Moon explores form and femininity. Chris Rhodes curates a selection of accidental images, out of focus subjects and frames shot solely to finish rolls of film. And artists Theo Simpson and David Noonan individually present exclusive mixed-media stories that challenge the format of a photo essay. 33 × 24.5 cm, Softcover, 2018,

True is a photography journal that showcases the unpublished personal projects of established and emerging photographers. Unconstrained by commercial focus, it sets different parameters for the creative conversation between publication and contributor. Issue one features exclusive work from Donald Christie, Annemarieke van Drimmelen, Jason Evans, Boo George, Vinca Petersen, Charlotte Wales and Ben Weller. 200 pgs, 33 × 24.5 cm, Softcover, 2015,

True is a photography journal that showcases the unpublished personal projects of established and emerging photographers. Unconstrained by commercial focus, it sets different parameters for the creative conversation between publication and contributor. Issue one features exclusive work from Donald Christie, Annemarieke van Drimmelen, Jason Evans, Boo George, Vinca Petersen, Charlotte Wales and Ben Weller. 200 pgs, 33 × 24.5 cm, Softcover, 2015,

True is a photography journal that showcases the unpublished personal projects of established and emerging photographers. Unconstrained by commercial focus, it sets different parameters for the creative conversation between publication and contributor. Issue one features exclusive work from Donald Christie, Annemarieke van Drimmelen, Jason Evans, Boo George, Vinca Petersen, Charlotte Wales and Ben Weller. 200 pgs, 33 × 24.5 cm, Softcover, 2015,

This issue of AnOther Magazine is an exploration of the heroic: the valiant, noble, audacious, brave. However one chooses to de ne the word, the world has rarely needed heroes – people to look up to, be inspired by, and learn from – more than they do today.

Over 37 years, i-D has carved its position as the premier source for fashion inspiration, and in 2012, joined the VICE Media family to expand VICE’s reach into digital fashion content. i-D has come a long way since its beginnings as a hand-stapled maga …

Dazed celebrate four new faces defining the new season, captured by Viviane Sassen, Roe Ethridge, Angelo Pennetta and Johnny Dufort. Elsewhere in an issue spotlighting those who deconstruct what we expect of fashion, Gareth McConnell captures menswear …

Sindroms is a journal of monochrome states of mind. Curating its content based on specific colours and investigating them across culture, Sindroms immerses its readers in the feelings and moods evoked by each colour. In this issue: The first issue, Red …

Issue N° 5 opens up the curious life of the cabinet, where intimate stories are hidden away, kept and inevitably shown. Revealing enlightened DIY shelves, immaculate celebrity closets, whimsical cocktail bars, socialist kiosks, classic cubes and cabinets that beat you at a game of chess. Featuring Sam Jacob, Emily King, Les Lalanne, Ettore Sottsass, Slothouber & Graatsma, Wolfgang Tillmans, Yvonne Dröge Wendel and many more. 232 pgs, 27.5 × 21 cm, Softcover, 2017,

BORSHCH #2 explores new releases and reissued wisdoms, soaks up the sense of revolt manifested in communities, and adheres to the purity of the DIY culture. The magazine introduces extended interviews with Volruptus, the youngster of the second issue w …

independent, biannual print magazine, showcasing the work of artists, designers, models and musicians.

Contributeurs: Adam Broomberg & Oliver Chanarin, Sophie Calle, Julien Dossena, Études, Fishbach, Thomas Hauser, Hill & Aubrey, Greta Ilieva, Barbara Kasten, Stef Mitchell, Tom de Peyret, Adrian Samson, Surkin, Céline Sciamma, Nicole Maria Winkler

These are times of post-truth, alternative facts and truthiness: at times it seems we are becoming fluent in Newspeak. But even as we have come to adapt to a more flexible view of reality, integrity, sincerity, truthfulness and authenticity remain consecrated ideals of selfhood. ‘Keep it real.’ ‘Stay true to yourself.’ ‘Be yourself.’ These truisms and tautologies have grazed many a coffee cup, self-help book and T-shirt, and they are a standard trope in TED Talks. Though we may cringe when we hear them, many of us have come to accept those corny phrases as conventional wisdom. But is there such a thing as a ‘real me’ or a ‘genuine self’? How does one live an authentic life? And is it possible to do so in fashion, an environment so wedded to the mood of the moment, so seemingly dependent on masks and masquerade, adopted when convenient and shed when no longer useful. Some might say that fashion and authenticity are antithetical: one the definition of the present ethos, the other the value of those who strive to prevail over it. Or so an existentialist, smoking in Les Deux Magots in 1946, would have posited. Only by overcoming the accepted norms imposed on us by our social institutions – family, education, religion, government – can an individual begin to live a truly authentic life. Today, philosophers prefer to think of authenticity as constructed and performed: we are selves upon selves upon selves. In 1981 Jean Baudrillard wrote about simulacra and simulation, meaning that we now have copies depicting things without an original. There is no more reality, only signs and symbols. Our experience of reality is only simulation; what it hides isn’t authenticity but that no such thing is needed for us to understand the world in which we live. Curiously, as philosophers debate the collapse of authenticity in a postmodern world, in consumer capitalism it has taken on a supreme importance: in fashion it’s the holy grail. Terms like ‘artisanal,’ ‘heritage,’ ‘craftsmanship’ and ‘storytelling’ have become buzzwords, and conglomerates are fond of referring to their offices as ‘campus’ and co-workers as ‘family.’ The further away we feel from those values, the more important they become it seems. We speak of ‘real clothes’ as opposed to ‘fashion,’ and ‘real people’ as opposed to models.

Cover: Kim Peers / Photography OSMA HARVILAHTI / Styling DOGUKAN NESANIR

We believe that a man’s style is something that derives from his own personality, not from ephemeral “trends”. We enjoy opinionated men. Men with a sense of purpose and a soul. Smart, intelligent and creative; men with ideas and ideology. Men who are their own men, who don’t fit others’ standards. Misfits? Yes. We don’t believe in negativity. We believe in revolution.

Benji Knewman is a man, around 40 years old. He’s trying to be genuine, and it seems he sometimes manages. Just like his grandfather who used to say: “Ben, how you spend your day is how you spend your life!” Currently Benji Knewman is more everywhere t …

Herausgegeben von Annemarie Jaeggi (Bauhaus Archiv / Museum für Gestaltung, Berlin), Claudia Perren (Stiftung Bauhaus Dessau) und Wolfgang Holler (Klassik Stiftung Weimar) für 100 Jahre Bauhaus, Geschäftsstelle Bauhaus Verbund 2019, Weimar.

„Zu Hause ist es doch am schönsten.“ So floskelhaft wurde einst die Gemütlichkeit gepriesen, der Rückzug ins Private, nachdem die Welt draußen in Trümmer gelegt worden war. Polstergarnitur, Schrankwand und Schnittchen auf dem Tisch gehörten zur festen …

64 pgs, 24.5 × 17 cm, Softcover, 2017

Issue 8 of Noon, featuring contributions from Max Farago, Viviane Sassen, Tom Wood, John Waters and more! 172 pgs, 34 × 24 cm, Softcover, 2017,

The issue is called “The Anti Issue.” 2017 was a year of chaos, content overload, anti-establishment moves, counterculture, ugliness-as-sexiness, anti-fashion fashion, subversion, re-thinking, re-framing, re-working and re-imagining. This is Modern Mat …

It’s the last stop on a whirlwind year at HERO HQ – this summer we launched The HERO Summer Zine, full of pop and adrenaline and energy and colour, and now we’re super pumped to share with you our latest project, specifically conceived for curling up w …

This is lesson number one of this issue’s dossier BERLIN KIDZ, which follows the anonymous group of graffiti writers, videographers, and train-surfers to the highest points in the German capital. Meanwhile in New Jersey, FRANK OCEAN lives out his exile …

in the second issue of fount magazine we examine what it means to »connect«. what does connection on an artistic level look like? in our category »mash-up« artists from around the globe came together in an open call to be inspired and to work together

usa, 2017

Winter 2017 – The Sounding Off Issue – Issue #350 The Sounding Off Issue features a provocative and powerful collection of words and images that travels the globe from Glasgow to Ghana, Ireland to…

Winter 2017 – The Sounding Off Issue – Issue #350 The Sounding Off Issue features a provocative and powerful collection of words and images that travels the globe from Glasgow to Ghana, Ireland to…

Lick your lips, snap your fingers, and let Extra Extra No 9 trigger a trick. Extra Extra have concocted an audacious elixir for your papilla to be allured. Palme d’Or winner Apichatpong Weerasethakul sits on their table and shares mythical sensory expe …

Illustration by Gustavo Dao Texts by Louisa K., Nina Lau, and more. And a review of Émilie Jouvet by Dennis Vetter 20 pgs, 47 × 31.5 cm, Zine, 2016,

This sixth issue of Space Magazine is dedicated to taking another look… at objects that seem ordinary or every- day, at people you somehow never met. It’s about that flood of recognition, sensing what you lost or maybe never had, a place or object th …

Printed Pages brings together the best from the creative world, providing a global survey of the most inspiring work and projects and the people who made them. Published by It’s Nice That, the biannual magazine is an essential overview of the last six …

Bound to the opposing notions of Dystopia and Utopia – this monumental volume is divided into two parts where the counterpoints are reflected through eight photographic essays and accompanied by topical texts. Odiseo offers a sophisticated take on erot …

Meandering forth through Montparnasse Cemetery each awakened dawn, bound for schoolmaster’s paper realm, lost youth’s Sophie Calle, amidst the labyrinthine gravestones, encountered many of the leitmotifs that would come to characterise much of her enig …

Kuwaiti producer and artist Fatima Al Qadiri is somewhat of an enigmatic figure at the merging point between electronic music, fine arts and political theory. Bending and fusing different genres of music, she has released a handful of largely instrumen …

Herausgegeben von Annemarie Jaeggi (Bauhaus Archiv / Museum für Gestaltung, Berlin), Claudia Perren (Stiftung Bauhaus Dessau) und Wolfgang Holler (Klassik Stiftung Weimar) für 100 Jahre Bauhaus, Geschäftsstelle Bauhaus Verbund 2019, Weimar.