Featuring the work of 20 outstanding young artists selected through the annual Foam Talent Call, Foam Magazine #48: Talent is an inspiring overview of the developments being made by a new generation of gifted image-makers from around the world. Each po …

Mastermind is a niche Fashion/Lifestyle magazine launched in collaboration with Marie-Amélie Sauvé, fashion stylist of Louis Vuitton & Paco Rabanne and current Fashion editor of T, the Fashion supplement of the NY Times. Cultural enrichment is Mastermi …

Aperture’s “Elements of Style” issue investigates the role of style, dress, and beauty in the formation of individual identity. From the stunning studio work of Kwame Brathwaite, the Harlem-based photographer who advanced the potent political slogan “B …

Phile is a biannual journal exploring sexual subcultures, trends, and communities both obscure and well known from an overarching, sociological point of view.

As a curious observer of ordinary plants and other greenery, THE PLANT presents a monographic on a specific plant and brings together photographers, illustrators, designers, musicians, writers and visual artists; both established and emerging, from all …

erfurt, 2017

This summer, SLEEK celebrates Comme des Garcons and Rei Kawakubo’s extraordinary solo exhibition at the Met Costume Institute with a special 30-page dossier dedicated to the brand. In order to fully understand Kawakubo’s enduring influence on fashion a …

A new photography journal showcasing the unpublished and the personal

Besides providing botanical contents in a simple, personal and cozy way, The Plant offers to plant lovers a new look on greenery by featuring the works of creative people who also love plants.

Besides providing botanical contents in a simple, personal and cozy way, The Plant offers to plant lovers a new look on greenery by featuring the works of creative people who also love plants.

Besides providing botanical contents in a simple, personal and cozy way, The Plant offers to plant lovers a new look on greenery by featuring the works of creative people who also love plants.

In den letzten Jahren hat Camera Austria mit zahlreichen KünstlerInnen gearbeitet, deren Werke einen direkten Bezug zur Frage des Archivs aufweisen. Özlem Altin, Sven Augustijnen, Eric Baudelaire, Martin Beck, Peggy Buth, Peter Friedl, Maryam Jafri, Ta …

The HERO Summer Zine is a brand new multi-faceted publication, printed on beautiful, tactile, uncoated paper, it’s oversized and all held together with a chic black elastic strap. Includes posters and a separate zine inside! 4 x posters: Nick Jonas, pl …

This summer, Aperture takes an in-depth look at the dynamic spaces that have shaped conversations about photography in Africa for the last twenty-five years—the biennials, experimental art spaces, and educational workshops in which artists and audience …

As well as featuring an in-depth 40 page portfolio of Jacob Aue Sobol’s unpublished series Road of Bones, this issue includes Elizabeth Murphy’s essay on the merits of collecting works by younger artists such as Daniel Shea, Lina Scheynius and Mårten L …

“If there was a clearly defined place for me to go, where I would be welcomed and at peace, I would surely have gone there many years ago.” Justin Vivian Bond is one of a growing number of artists who explore gender identity in non-binary terms. In thi …

Modern Matter’s Colour Model issue is about the way that a full and varied spectrum bands together to make a single fully-unified whole. We mean this literally, and also as a metaphor. Playing with the theme of CMYK colour, the issue looks at global contributions to creativity and style, and the ways in which we work better together — and in full technicolour. Issue 12 is Modern Matter’s biggest, brightest edition to date. Featuring Walead Beshty, Alex Da Corte, Mark Leckey, Seth Price, Beatrix Ruf, Amalia Ulman, and more. london, 2017

Each cover of i-D magazine gives you a knowing wink that hints at the wonder inside. Cutting-edge and influential, this publication is well known for its superb layout and first class photography. From the UK, this manual of style was one of the first to break the barrier between art and fashion photography.

april-may 2017

FEAT. CONTRIBUTIONS BY AND CONVERSATIONS WITH : – Taryn Simon – Whit Stillman – Anna Cleveland – Dev Hynes – Ari Marcopoulos + New York Special, La Colombe D´or, Havana on the Hudson and much more . . .

Avant-garde and ironic, Dull is aimed at those in the know who are looking for a good time while rediscovering fashion. It showcases portraits of young designers, figures who are helping to change the face of fashion, and big names who have succeeded in transforming society by presenting new styles, positions and movements. Dull is a French fashion magazine focusing on the new talents taking part in the current fashion revolution. The world of luxury is changing. And Dull is hot on their heels. In a market where reviews boast increasingly perfect photo series from issue to issue, but where in-depth, investigative pieces are becoming scarce, Dull is looking to keep the magazine style while reporting on the latest trends. It will not be a polished, timeless fashion review, but a magazine. Its substance will always be its articles and information. Dull is positioned as a luxury printed object, with cutting-edge graphic design and an original holographic transparent plastic cover.

At the beginning of the 1970s US American physicist Gerard K. O’Neill developed the first ideas for colonizing space. Shortly thereafter, Stewart Brand, cybercommunard and editor of the Whole Earth Catalog, took up these ideas and published the book Space Colonies. In this and in other editions of the CoEvolution Quarterly, the issue of whether space might already be colonized in the year 2000 is discussed. Fabian Reimann’s Space Colonies. A Galactic Freeman’s Journal refers to these publications. In his photo essay he assembles historical, present-day, and speculative material, which he combines with fictional and factual stories to create a composite of different images of the world.

The 25th edition of FANTASTIC MAN stars the magnificent artist and director STEVE McQUEEN on the cover, photographed in his adopted-hometown of Amsterdam while speaking his mind in between film projects. McQUEEN is joined within by literary sensation ÉDOUARD LOUIS, affable restaurateur JEREMY KING, enterprising actor WOODY HARRELSON, French comedic superstar GAD ELMALEH and photographer COLLIER SCHORR in a series of unprecedented self-portraiture. Elsewhere in the issue, five men get straight to the point in a new feature titled KINDLY PITCHING, the happy consequences of balding are investigated and the latest fashions travel to Tenerife, Newcastle upon Tyne, the metaphorical campsite and to TOM BIANCHI’s Palm Springs abode. It’s a milestone!

Boxcar ist ein Foto-Magazin über Graffiti auf Güterzügen.

TECHNOLOGIE UND DAS UNHEIMLICHE ● About ● Editions: Bunker / Dinosaurs / Enigma / Base Matters / Bunker Rev. / Reproductive / T+U Mini ● Book Fairs: It's a Book / I Never Read / Friends with Books / Toronto ● Sounds ● Imprint News T+U at Mzin / Technologie und das Unheimliche vol. IV. “Base Matters” release event 22. 03. 2017 / 19h Mzin Leipzig and T+U are pleased to invite you to the release ​event of the 4th edition of “Technologie und das Unheimliche” magazine, entitled “Base Matters”. The key topic of the issue reverberates the works of Georges Bataille, as well as the spirit of DOCUMENTS, his renowned surrealist art magazine. The new issue of T+U, that has been designed by Anna-Luise Lorrenz, presents essays, collages, photos, and artworks of international contributors focusing on the versatile aspects of Bataille's subversive and ambivalent materialism. A materialism that aims to irritate the hygienic and synthetic realm of pure reason by proclaiming the triumph of formlessness, baseness, and abjection. Presentations by T+U editors: Dan Jack Harvey, Krisztina Hunya and M​a​rk Fridvalszki Music by: Kilian Krings (S​ign Bit Zero​ / Z​ensor Tot​! ​Leben Geht Weiter.​) T+U at IT'S A BOOK 2017 Independent Publishing Fair 25. 03. 2017 / HGB (Wächterstasse 11, D-4107 Leipzig) 12h – 21h / Admission is free! From 22h after show party! T+U presents: T+U vol. IV. “Base Matters” release party and FKSE fundraising event 22.12.2016 / 6pm-5am / FKSE, 1077 Budapest, Rottenbiller st. 35 ■ Program: Annual Christmas Party: Æ (SK), Benzokai (EST), Nova Gravity (H), Jacques Kustod (SK), Palmovka (CZ), C-Kay (JPN), Zapphire (H) ■ Inaugural Meeting of the Hungarian Coprosophical Society with Absentology (Márk Horváth, Ádám Lovász), T+U (Zsolt Miklósvölgyi, Márió Z. Nemes) and Tamás Seregi ■ T+U vol. IV. “Base Matters” book launch ■ Peformance by Ábris Gryllus & Tamara Zsófia Vadas ■ !!! Final collapse will be guaranteed !!! ■ Event here… Technologie und das Unheimliche vol. IV. “Base Matters” “The process of becoming-soil is also the process of becoming bird, plant, crystal; it is also to become preparation, plastic or machine, since within our planetary conditions the formless vortex of technology and nature is the wild happening of the world. Such impure transformations are nevertheless production, processing and birth, for the process of creation is necessarily filthy, whilst, as Radomir Konstantinović argues in the spirit of Bataille’s legacy, only uniformity can be in- nocent.”

In einer Zeit schwieriger und verwirrender gesellschaftlicher und kultureller Transformationen, in der die Frage nach der Unterscheidung zwischen dem Wahren und dem Realen immer unmöglicher gemacht zu werden scheint, muss man den Blick möglicherweise – wie wir es bereits in den beiden vorangegangenen Ausgaben getan haben – vom Zentrum weg auf Peripherien richten, müssen wir […]

HOTSHOE is the UK's leading contemporary photography magazine, published 4 times a year HOTSHOE is repeatedly the first to spot and support innovative work. Our accessible features are not only the product of a powerful visual aesthetic, but also strong writing and intelligent design. The multitude of voices and opinion that makes up Hotshoe include some of the most important names in photography today, writing in one of the few truly independent publications. Forty years after the launch of our print magazine,The Hotshoe App edition was released, available on Kindle Fire, Windows 8, and iPad bringing a whole new world of contemporary photography through your postbox and onto your tablet.

Legendary photographer Ari Marcopoulos shoots the cover of the latest HERO. Inside, the photographer presents a 32-page project featuring his sons Ethan and Cairo, who he has been documenting for more than twenty years; old photos appear alongside completely new images, telling the story of three lives intertwined. Kim Jones, artistic director of men’s ready to wear at Louis Vuitton chooses filmmaker and photographer Dexter Navy to shoot one of the highlights of FW17 fashion week – the Louis Vuitton x Supreme FW17 collection. We shoot an exclusive Saint Laurent FW17 menswear story – in print just nine days after being shown on the runway in Paris, and a glimpse of Lanvin FW17, rebellious and dynamic. Photographer Paolo Zerbini travels to Poland for a story spanning HERO and HEROINE, shooting high-octane kids and their souped-up cars; we talk to actor Dacre Montgomery about becoming the new Red Power Ranger, and actor Cole Sprouse, star of hit Net ix series Riverdale, about graduating NYC and escaping the trappings of being a kid star. Artist Sue de Beer collaborates with stylist Paul Sinclaire on a dystopian vision of the future and hacker-turned-rapper YTcracker lurks in a chat room to discuss cyber authenticity on TV with fellow coder David Kennedy. Also featuring smooth-singing musician Zak Abel and introducing young Parisian label AFTERHOMEWORK. Danielle Levitt shoots a group of dirt bike riding friends in LA, Daniel King travels to Niagara Falls to street-cast and document kids with fashion director Gro Curtis. Plus actors to watch: Joe Cole and Austin Abrams.

Wenn Gesellschaft ihre typische Prägung an ihren Rändern erfährt, eine Idee, die wir in der letzten Ausgabe aufgegriffen haben, so gilt dies umso mehr für die fotografischen Bilder selbst. In dieser Ausgabe interessieren wir uns für die Übergänge des Fotografischen ins Performative, für die Passagen der Fotografie in die Dispositive des Kinos und des Videos, […]

PROPAGANDA Propaganda, the manipulation of political opinion by means of carefully selected information or disinformation, is common to all eras. But rarely was the playing field so ambiguous and the players so hard to identify. Even at the highest political level, facts that appeared incontrovertible now seem to be ruthlessly parried by people wielding ‘alternative facts’. In an age defined by the alarming rise of Post-Truth politics, it is of the greatest importance to take a closer look at the nature and provenance of information, especially visual material. Historical examples aside, the portfolios featured in this issue come primarily from contemporary artists. These artists share a critical attitude to propagandist media strategies and the visual imagery deployed within them. Art has the capacity to expose power, and where possible show its true face. That is more valuable now than ever. CONTRIBUTING PHOTOGRAPHERS AND ARTISTS Christopher Anderson, Mathieu Asselin, Roger Ballen, Wafaa Bilal, Asger Carlsen, Simone Donati, David Favrod, Osservatorio Fotografico, Thomas Mailaender, Sarah Maple, Simon Menner, Rico & Michael, Sabine Mirlesse, Jaya Pelupessy, Márton Perlaki, Ivor Prickett, Robert Rauschenberg, Émilie Régnier, Maya Rochat, Harit Srikhao CONTRIBUTING WRITERS David Campany, Jörg Colberg, Marcel Feil, Hinde Haest, Helen Hsu, Kim Knoppers, Mirjam Kooiman, Stanley Wolukau-Wanambwa

“In this contentious moment in history, the stories we tell are a social responsibility.” —Sandra Cisneros How does the photographer navigate our new national order? As debates about the economic future of the United States continue into a controversial presidential administration, the spring issue of Aperture, “American Destiny,” offers an urgent reflection on photography, labor, and community. From agricultural workers to those toiling on the factory floor, from regional cities weathering years of postindustrial decline to refugee populations assimilating into the heartland, the photographers featured in this issue are bound by a desire to reveal how lives are shaped by the ebb and flow of the economy. “American Destiny” maps geographies of economic promises unfulfilled, weighing how the interrelated factors of class, sexism, education, shifting demographics, racism, and stagnant wages have influenced social life in the United States. – See more at: http://aperture.org/shop/aperture-226-magazine#sthash.YtDrfmXN.dpuf

This Kaleidoscope's new Issue comes with a special edition cover—printed in 500 copies only—features an unpublished image by photographer Ari Marcopoulos and three special stickers. As best exemplified by Marcopoulos’ portfolio of images published inside the magazine, the VISION section is becoming more and more of a site for radical, specially-commissioned contributions by artists and creators who shape and disturb our visual landscape.

Odiseo stems from a huge need to explore. Seeking a visual, unique and personal vision of seduction, digging into new formats, eluding conventions. Odiseo blurs the confines of traditional erotic publishing by combining imagery that lies between art and erotica with insightful philosophical essays which delve into universal themes. They aim for not only a visual experience, but for an intellectual seduction as well. Odiseo shouts out the unseen: it is contradictory, mysterious, intellectual and intuitive at the same time. This idea illustrates our mission with Odiseo: explore new ways and offer a different and cross-cutting vision of erotism that goes far beyond gender, seeking seduction through masculinity, femininity, bodies and abstraction.

This 9th issue shows works by Nowork, Bia Bittencourt and Broomberg & Chanarin but also features on Hulk Hogan, Camouflage, The Swiss Family Robinson plus quotes from Hillary Clinton and Hilary Duff and more…

“An activist is someone who is not afraid to be truthful or vulnerable,” declares Amandla Stenberg in the Spring 2017 issue of Dazed. Stenberg is joined on the covers by fellow actor Ashton Sanders, whose poignant portrayal of black LGBT masculinity in Moonlight has struck an unprecedented chord. Together, they are just two young Americans using their art to move us and their voices to foster real change. Led by these two cultural agenda-setters, in this issue we join forces with the artists, activists and free-thinkers proving that protest comes in many forms – and using their energy and poise to galvanise a post-Trump generation.

Beton is a contemporary printed gallery. It serves as a moodboard, visualising concepts, impressions and ideas within the creative medium. There is no final definition of Beton, that is the aesthetic. It is you, the observer, who defines it.

Avant-garde and ironic, Dull is aimed at those in the know who are looking for a good time while rediscovering fashion. It showcases portraits of young designers, figures who are helping to change the face of fashion, and big names who have succeeded in transforming society by presenting new styles, positions and movements. Dull is a French fashion magazine focusing on the new talents taking part in the current fashion revolution. The world of luxury is changing. And Dull is hot on their heels. In a market where reviews boast increasingly perfect photo series from issue to issue, but where in-depth, investigative pieces are becoming scarce, Dull is looking to keep the magazine style while reporting on the latest trends. It will not be a polished, timeless fashion review, but a magazine. Its substance will always be its articles and information. Dull is positioned as a luxury printed object, with cutting-edge graphic design and an original holographic transparent plastic cover.

2017

Each cover of i-D magazine gives you a knowing wink that hints at the wonder inside. Cutting-edge and influential, this publication is well known for its superb layout and first class photography. From the UK, this manual of style was one of the first to break the barrier between art and fashion photography.

Besides providing botanical contents in a simple, personal and cozy way, The Plant offers to plant lovers a new look on greenery by featuring the works of creative people who also love plants.

'Toiletpaper' is an artists’ magazine created and produced by Maurizio Cattelan and Pierpaolo Ferrari, born out of a passion or obsession they both cultivate: images. The magazine contains no text; each picture springs from an idea, often simple, and through a complex orchestration of people it becomes the materialization of the artists’ mental outbursts. Since the first issue, in June 2010, 'Toiletpaper' has created a world that displays ambiguous narratives and a troubling imagination. It combines the vernacular of commercial photography with twisted narrative tableaux and surrealistic imagery. The result is a publication that is itself a work of art, which, through its accessible form as a magazine, and through its wide distribution, challenges the limits of the contemporary art economy.

Toiletpaper' is an artists’ magazine created and produced by Maurizio Cattelan and Pierpaolo Ferrari, born out of a passion or obsession they both cultivate: images. The magazine contains no text; each picture springs from an idea, often simple, and through a complex orchestration of people it becomes the materialization of the artists’ mental outbursts. Since the first issue, in June 2010, 'Toiletpaper' has created a world that displays ambiguous narratives and a troubling imagination. It combines the vernacular of commercial photography with twisted narrative tableaux and surrealistic imagery. The result is a publication that is itself a work of art, which, through its accessible form as a magazine, and through its wide distribution, challenges the limits of the contemporary art economy.

SLEEK dedicates issue 52 to The New Native, a term that refers to people who look at home not as a geographic location, but rather as set of friends and relationships, as our EIC Jeni Fulton argues. With a hectic schedule of fashion weeks and travel, our cover star Virgil Abloh from the much-buzzed label Off-White encompasses this concept perfectly. Conversely, “Berlin Calling” focuses on six fashion designers who have chosen to call the German capital home for different reasons. Elsewhere in the magazine, stylist Tess Yopp revisits her childhood home of Moscow in the fashion editorial “On the Margins”; and Michelangelo Pistoletto discusses his career marked by 60 years of artistic rebellion.

Noon is a magazine that explores the space between art, commerce and digital culture, investigating what it means to live in an Altermodern world. Thematically focused, each issue features a collection of fashion, photography, visual art, short stories, profiles and critical text. It has been described as “the magazine that knits together art and fashion with the same subversive strength of vision that Juergen Teller brought to the genre – an organic, hazy and candid aesthetic that Noon are out on their own in achieving” (MagCulture) and a publication that “quickly established itself as a beautifully produced magazine that subverts tradition and places innovative collaboration at its forefront” (Dazed Digital). Noon rejects standard editorial models and instead aims to cultivate a true creative exchange between editor and contributor. Celebrating the luxury of print, paper and ink, the magazine combines a large format with an experimental approach to aesthetics and material, challenging the politics of mass production.