usa, 2017

The Bauhaus magazine 9 deals with the topic of substance

This sixth issue of Space Magazine is dedicated to taking another look… at objects that seem ordinary or every- day, at people you somehow never met. It’s about that flood of recognition, sensing what you lost or maybe never had, a place or object th …

Printed Pages brings together the best from the creative world, providing a global survey of the most inspiring work and projects and the people who made them. Published by It’s Nice That, the biannual magazine is an essential overview of the last six …

Herausgegeben von Annemarie Jaeggi (Bauhaus Archiv / Museum für Gestaltung, Berlin), Claudia Perren (Stiftung Bauhaus Dessau) und Wolfgang Holler (Klassik Stiftung Weimar) für 100 Jahre Bauhaus, Geschäftsstelle Bauhaus Verbund 2019, Weimar.

This issue includes works by Todd von Ammon, Donatien Grau, Cecilia Alemani, Anthony Huberman, Michael Asher, Vincent Honoré, Ben Vickers, Pakui Hardware, Adriana Blidaru, Elizabeth Neilson, Margot Norton, Nicolas Deshayes, Piper Marshall, Liam Considi …

Quarterly issue No 15 features Berlin-based Hort founder Eike König, Italian newspaper conceptualist Francesco Franchi, and the Brazilian designer Rejane Dal Bello on her graphic work in patient-centric design. Plus a tour of the creative side of Tel A …

oiletpaper is an artists’ magazine created and produced by Maurizio Cattelan and Pierpaolo Ferrari, born out of a passion or obsession they both cultivate: images. Number 15, powered by Perrotin. The magazine contains no text; each picture springs from …

Featuring: Lawrence Weiner, Na Kim, Gay Talese, Kyoichi Tsuzuki, Maria Pratts, Jerry Schatzberg, Julien Dossena, Alec Soth, Margot & Fergus Henderson, Joseph Holtzman, Beach house in drag, Maureen Paley, and Domestic dystopia? Plus: A series of unique …

ART PUBLICATION 2017, NEW YORK Softcover, 120 Pages, 9″ x12.5″ Full color/ B&W 4 Different covers available

In the spring of 2017 the Slanted editors embarked on their trip to Athens to take a close-up look at the contemporary design scene there. At the same time, the Documenta took place for the first time at two sites with the same credentials as the core …

Our collection of architect-designed objects has launched with a selection of fine jewellery: studies in form and narrative, that experiment with notions of construction. Working in elemental materials, we create contemporary versions of cross-cultural …

Hallo Deutschland, ruft die zehnte Soirée graphique. Dieses Jahr finden sich Fotografinnen und Fotografen, Grafikerinnen und Grafiker aus Deutschland und der Schweiz zu einem künstlerischen Austausch. Es wird zum Dialog zwischen Fotografie und Grafikde …

Das Magazin »Akademische Mitteilungen«, kurz » AM «, ist eine Publikation des Studiengangs Kommunikationsdesign der Staatlichen Akademie der Bildenden Künste Stuttgart, das sich im Bereich der unabhängigen Kultur– und Gesellschaftsmagazine ansiedelt. D …

The world is acting out—making rash, impulsive decisions whose repercussions may be irreparable. The body politic is moody, volatile, and uncompromising. We were born into Y2K and 9/11; our youth is part of a string of crises and rapid evolutions. Can …

The Magazine for New Design Culture, Business Affairs & Contemporary Lifestyle Gestaltung: Veronika Kinczli und Frank Wagner, hw.design gmbh Herausgeber: Frank Wagner

The Magazine for New Design Culture, Business Affairs & Contemporary Lifestyle Gestaltung: Veronika Kinczli und Frank Wagner, hw.design gmbh Herausgeber: Frank Wagner

Er kann still sein oder laut, er kann sich von langer Hand geplant erheben oder spontan entladen, er kann etwas verändern oder kläglich an seinen Zielen scheitern: der Protest. Doch unabhängig davon, in welcher Form sich Widerstand regt, ist er immer a …

For its 5th issue, Collection revue has changed its subtitle from the previous “A magazine around contemporary drawing” to a more simple “9 conversations”. The issue is still a direct extension of the previous ones: engaging in conversations with artists who would not have the occasion to be reunited elsewhere than on these pages. Alongside the artists, the issue features graphic designers bridging the realms of technology and emotion, materialist publishers and a group of skaters turned gallerists.

Diana Wehmeier, “PLASMA 3”, 22,2 x 28,9 cm, 172 Pages, English, Presentbooks 2017

BRASILIA ist ein monothematisches Magazin der Designabteilung der Hochschule Hannover. Es erscheint in einer Auflage von 1500 Exemplaren. Die zweite Ausgabe mit dem Thema »Ideale und Zweifel« und die dritte Ausgabe mit dem Thema »Warten« wurden mit ver …

Whether its the lure of reminiscence, the promise of the future, or scientific fascination, the fantasy of time travel holds universal appeal. The laws of physics suggest that time does not actually flow in any particular direction and therefore we might—someday—travel through time as freely as we travel through space. This issue of Conveyor Magazine explores time travel by employing the camera as our time machine; a tool that alters our temporal experience and transforms perception of time and space. A photograph eternally suspends a moment, leaving behind a document that we may then return to and investigate again and again. Photographs allow us to reassemble and manipulate the sequence of events. Timelines are thus reconstructed, the past is altered, new histories are created, and the distant future is just a shortcut away. Featuring projects by Jonathon Keats, Rachel Sussman, Katie Paterson, Susannah Sayler & Ed Morris, Matthew C. Lange, Jeremy August Haik, Burkhard von Harder, Susan Dobson, Jordan Tate, Marlo Pascual, Lori Nix, Simen Johan. The Group Show includes photographs by Sasha Tamarin, James Reeder, Jiaxi Yang, Daniel Terna, Aaron Canipe, Joss McKinley, Jennifer Garza-Cuen, Cassandra Klos, heatherm. o'brien, Tim Soter, Jay Gould, Gregory Vershbow, and Felicia Honkasalo. This issue was edited by Christina Labey, Dominica Paige, Liz Sales, Jeremy August Haik, and Jason Burstein. Designed by Elana Schlenker. Custom Typeface design by Or Type. Printed and bound at Conveyor Arts.

This summer, SLEEK celebrates Comme des Garcons and Rei Kawakubo’s extraordinary solo exhibition at the Met Costume Institute with a special 30-page dossier dedicated to the brand. In order to fully understand Kawakubo’s enduring influence on fashion a …

Besides providing botanical contents in a simple, personal and cozy way, The Plant offers to plant lovers a new look on greenery by featuring the works of creative people who also love plants.

Besides providing botanical contents in a simple, personal and cozy way, The Plant offers to plant lovers a new look on greenery by featuring the works of creative people who also love plants.

Besides providing botanical contents in a simple, personal and cozy way, The Plant offers to plant lovers a new look on greenery by featuring the works of creative people who also love plants.

DAMN° is an independent publication with open-minded views on the interchangeable worlds of design, architecture and art. In making meaningful connections rather than dictating tastes, its approach to storytelling brings editorial content beyond hype o …

Muster sind kein Oberflächenphänomen, auch wenn sie oft an dieser Stelle – ob auf Textilien, Produkten oder Fassaden – sichtbar werden. Sie gehen tiefer und sind fern von ihrer dekorativen Funktion in Denk- und Verhaltensweisen sowie der natürlichen al …

For our fifth issue of Space Magazine, we knocked on the doors – at home and at work –of those who refuse to follow a conventional path. On these pages, you’ll find a roll call of one-of-a-kinds doing it their way. To them we raise a glass. Here’s to e …

INSIDE ISSUE THREE Have we all become artists? And what are the creative classes? We interview the editor of Texte zur Kunst Isabelle Graw on our condition of perpetual work. From the history of caffeine as the first capitalist drug, to the potential o …

“If there was a clearly defined place for me to go, where I would be welcomed and at peace, I would surely have gone there many years ago.” Justin Vivian Bond is one of a growing number of artists who explore gender identity in non-binary terms. In thi …

Featuring: Alessandro Mendini, Bernard Rudofsky’s ‘La Casa’, Kim Hastreiter, Barbara Nessim, Naoki Takizawa, Cristopher Nying, Flawless Sabrina, Antoni Miralda, Leonard Koren, Ford Wheeler, Richard Hell, and Penny Martin. Plus: Instagram stories, a conversation with Carlota Guerrero, Paloma Lanna, and Soraya Rosales, and a portfolio of Robby Müller’s Polaroids

Mit der fortschreitenden Urbanisierung werden die Gegensätze von Stadt und Land, Zentrum und Peripherie, Kultur und Natur zunehmend aufgelöst. Der hierarchische Blick von der Stadt auf das Land wird umgekehrt, die romantische Verklärung des ländlichen Raumes als Ort der Natürlichkeit und Ursprünglichkeit, als Opfer der Industrialisierung und Verstädterung in Frage gestellt: Das Land wird zu einem ambivalenten Akteur, in vielerlei Hinsicht zum Vorreiter. Dem Philosophen Armen Avanessian zufolge sind Städte heute nur mehr vom Land aus zu betrachten, und dieses Land sei genauso wenig „natürlich“ wie der Rest der Natur.

Finland – though a small country judging by its population of 5.5 million inhabitants and population density of 18 inhabitants per km2 (the lowest in the EU) – boasts many superlatives: there are more saunas than cars; it has the most heavy metal bands per capita; any Finnish noun can have over 200 different forms; Finns are the world's top coffee drinkers, gulping down no less than 12 kg annually; they are the most avid readers of books and newspapers globally and world leaders in the use of libraries … The list goes on forever. We wanted to discover the design scene of Helsinki and its exciting summers, when the city is about to burst with culture and happy people, packed with outdoor theaters, al fresco cinemas, open-air exhibitions, awkward wife-carrying competitions and the great Flow festival! – only to frustratingly die down during the winter when the capital does not receive any sunshine for 51 consecutive days, with the temperature dropping below 0 degrees Celsius on an average of 169 days. When asking people how they survive the winter, quite a few have confessed that they hit southern destinations for a month, generously using up their vacation days. Most designers we met seem to have an awareness for design in their blood. The offices are packed with design classics combined with custom-made solutions, always with a sense of warmth, comfort and cosiness. In most offices people take off their shoes and walk around in slippers or barefoot – probably a tradition coming from those long snowy and muddy winters – admittedly, a little embarrassing for us Germans. Many design studios and agencies work for national brands with great pride, even if it is a Finnish pizza chain like Koti which named one of their bestsellers after Silvio Berlusconi – revenge served hot! In Helsinki, it becomes apparent that there are very few chain stores as we know them in Germany. It just seems to be too far away from market capitalism. Instead, as you walk through the city, Finland reveals itself to be a true design nation: Local brands, designers, shops, restaurants and cafés make it exceptional. You encounter works of the world’s most imitated and admired designers and architects around every corner. From Eero Aarnio’s Ball Chair (James Bond’s favorite seat) to Marimekko Poppies (dresses once worn by Jacqueline Kennedy during her husbands' 1960 presidential campaign), Finland has been setting trends for decades. We invite you to discover the world's northernmost EU capital during our journey and share with us the love for its rich design scene, from legends like Eric Brunn to the young wild kids, newcomers from Aalto University, The School of Arts, Design and Architecture of Helsinki.

usa, 2017

When ‘Volume’ started as “magazine to go beyond architecture” in 2005, the world was a different one. There was a lot of attention for the spectacular in architecture, for instance, and little for where society was going in relation to architecture: the urgencies and opportunities architecture could and should engage with. Since, Volume explored a wide variety of topics and terrains, each time looking for the added value of architecture. So, what is the situation today? in this issue ‘Volume’ focuses on current dilemmas (young) architects are confronted with, both in education and in setting up their office. It’s less about ‘going beyond’ as such, and more about impact and repercussions.

The biannual design and crafts magazine featuring remarkable stories about ordinary things returns with its fourth instalment – this time dedicated to the sink. An object that speaks volumes about who we are and how we live, the sink’s many alluring manifestations are featured here in a variety of ways. Some surprising sink typologies make an appearance, from inox sinks to kommunalka sinks, plus specialised sinks for pathologists, babies, and more. Inside, a short story by prize-winning author Kira Wuck, a series of photos of stainless steel sinks by Scheltens & Abbenes, writings about kitchenettes, and an intriguing photo essay about Suriname Jungle Sinks by Viviane Sassen.

Sie lauert überall, heißt es. Als Stolperfalle im Alltag oder drohende Klimakatastrophe tritt uns die Gefahr in unterschiedlichen Gewändern gegenüber. Ist sie erkannt, kann sie nicht nur gebannt, sondern auch vor ihr gewarnt und sie in Zukunft vermieden werden. Welchen Beitrag das Design dazu leisten kann, thematisieren wir aus verschiedenen Perspektiven.

a unique large format publication commenting and discussing the contemporary illustrated image in depth. A range of expert contributing editors reveal their choice of work that has most impressed them over the last few months from the worlds of illustration and design, fashion and politics, music and digital, children’s books and reportage. Regular Varoom columnists, illustrators Marian Bantjes and Paul Davis, offer amazing visuals and comment with beautiful styling and acerbic wit.

London, 2017

SLEEK dedicates issue 53 to The New Revolutionaries, the previously politically apathetic generation that is now waking up across the worlds of art and fashion. Dissecting the current generation are our art and fashion editors, Will Furtado and Jessica Hannan, seeing how these cultures respond during a time of deep uncertainty for the future. Additionally, we visit Juergen Teller at his home in Bavaria, where he talks about working with Charlotte Rampling and art in the age of Instagram. Elsewhere in the magazine, Grayson Perry talks about why men need to be feminists, and we have a conversation with Chris Kraus about failure and inventing Karl Ove Knausgaard. For our cover story, photographer Mark Rabadan and stylist Toby Grimditch join forces in a womenswear editorial entitled “Working 9-5”.

_Kontrolle aller Art von Bildern _Ästhetische Regeln von Zensur _Rezeption der Bildlichkeit _Buchlayout interpretiert zensierte Ästhetik _Mit einem Vorwort von Erik Spiekermann Diese Publikation der in Berlin ansässigen Autorin und Gestalterin Marion Kliesch wurde mit dem „Wilhelm Braun-Feldweg-Förderpreis für designkritische Texte 2016“ und dem „Förderpreis für junge Buchgestaltung“ der Stiftung Buchkunst ausgezeichnet. Bilder haben das Potential, Macht auszuüben, weswegen sie, früher wie heute, zurückgehalten und manipuliert werden. Die Gestalterin Marion Kliesch untersucht, wie Informationsunterdrückung bildhaft in Erscheinung tritt, also wie Bilder zensiert werden und was das für deren Rezeption bedeutet. Wie wirken diese Bilder und was lässt sich über ihre Ästhetik sagen? Und wie beeinflussen verdeckte, verpixelte oder unsichtbar gemachte Bilder unsere visuelle Wahrnehmung? Im ersten Teil des Buches wird die Vielschichtigkeit des Themas aufgefächert und beschrieben. Im zweiten Teil werden stichprobenartig verschiedene Fälle von visueller Zensur aus den Bereichen Zensur des Körpers, Zensur des Raumes und Zensur des Gedächtnisses analysiert. Die Beispiele spannen einen Bogen vom Verpixeln von Körperteilen über das regelrechte Verschwinden von Landesteilen auf Satellitenbildern bis hin zu Zugangsblockaden zum Wissen der Welt im Internet.