Issue N° 5 opens up the curious life of the cabinet, where intimate stories are hidden away, kept and inevitably shown. Revealing enlightened DIY shelves, immaculate celebrity closets, whimsical cocktail bars, socialist kiosks, classic cubes and cabinets that beat you at a game of chess. Featuring Sam Jacob, Emily King, Les Lalanne, Ettore Sottsass, Slothouber & Graatsma, Wolfgang Tillmans, Yvonne Dröge Wendel and many more. 232 pgs, 27.5 × 21 cm, Softcover, 2017,

Stéphane Déplan, a Grenoble citizen exiled in Brussels for several years now, regroups his activities under the name of Life as Art as Attitude. He practices a way of making art, through protocol and accumulation. His everyday actions and projects are …

Interview realized between 2016 and 1976. Originally from South Richmond, Virginia, Sissy Hankshaw was born in the Eisenhower Years and now lives in the Dakotas. Sissy has remarkably large thumbs – symbol of emancipation and non-conformity. Thanks to t …

independent, biannual print magazine, showcasing the work of artists, designers, models and musicians.

Contributeurs: Adam Broomberg & Oliver Chanarin, Sophie Calle, Julien Dossena, Études, Fishbach, Thomas Hauser, Hill & Aubrey, Greta Ilieva, Barbara Kasten, Stef Mitchell, Tom de Peyret, Adrian Samson, Surkin, Céline Sciamma, Nicole Maria Winkler

Im Jahr 2014 haben wir mit Urban Subjects (Sabine Bitter, Jeff Derksen und Helmut Weber) die Ausstellung »The Militant Image. Picturing What Is Already Going On, Or The Poetics of the Militant Image« sowie die gleichnamige Publikation produziert, inner …

These are times of post-truth, alternative facts and truthiness: at times it seems we are becoming fluent in Newspeak. But even as we have come to adapt to a more flexible view of reality, integrity, sincerity, truthfulness and authenticity remain consecrated ideals of selfhood. ‘Keep it real.’ ‘Stay true to yourself.’ ‘Be yourself.’ These truisms and tautologies have grazed many a coffee cup, self-help book and T-shirt, and they are a standard trope in TED Talks. Though we may cringe when we hear them, many of us have come to accept those corny phrases as conventional wisdom. But is there such a thing as a ‘real me’ or a ‘genuine self’? How does one live an authentic life? And is it possible to do so in fashion, an environment so wedded to the mood of the moment, so seemingly dependent on masks and masquerade, adopted when convenient and shed when no longer useful. Some might say that fashion and authenticity are antithetical: one the definition of the present ethos, the other the value of those who strive to prevail over it. Or so an existentialist, smoking in Les Deux Magots in 1946, would have posited. Only by overcoming the accepted norms imposed on us by our social institutions – family, education, religion, government – can an individual begin to live a truly authentic life. Today, philosophers prefer to think of authenticity as constructed and performed: we are selves upon selves upon selves. In 1981 Jean Baudrillard wrote about simulacra and simulation, meaning that we now have copies depicting things without an original. There is no more reality, only signs and symbols. Our experience of reality is only simulation; what it hides isn’t authenticity but that no such thing is needed for us to understand the world in which we live. Curiously, as philosophers debate the collapse of authenticity in a postmodern world, in consumer capitalism it has taken on a supreme importance: in fashion it’s the holy grail. Terms like ‘artisanal,’ ‘heritage,’ ‘craftsmanship’ and ‘storytelling’ have become buzzwords, and conglomerates are fond of referring to their offices as ‘campus’ and co-workers as ‘family.’ The further away we feel from those values, the more important they become it seems. We speak of ‘real clothes’ as opposed to ‘fashion,’ and ‘real people’ as opposed to models.

Author: Rita Vitorelli (ed.) Publisher: Spike Language: English / German Pages: 210 Size: 28 X 22.5 cm Weight: 682 g Binding: Softcover

TECHNOLOGIE UND DAS UNHEIMLICHE

Herausgegeben von Annemarie Jaeggi (Bauhaus Archiv / Museum für Gestaltung, Berlin), Claudia Perren (Stiftung Bauhaus Dessau) und Wolfgang Holler (Klassik Stiftung Weimar) für 100 Jahre Bauhaus, Geschäftsstelle Bauhaus Verbund 2019, Weimar.

Mit dem Boom an Museumsneugründungen weltweit hat sich auch die Bedeutung und Funktion des Museums selbst verändert. In welche Richtungen wandelt sich die Institution Museum und wie beeinflusst der Museumsboom die Gegenwartskunst selbst? In diesem Them …

Issue 8 of Noon, featuring contributions from Max Farago, Viviane Sassen, Tom Wood, John Waters and more! 172 pgs, 34 × 24 cm, Softcover, 2017,

The issue is called “The Anti Issue.” 2017 was a year of chaos, content overload, anti-establishment moves, counterculture, ugliness-as-sexiness, anti-fashion fashion, subversion, re-thinking, re-framing, re-working and re-imagining. This is Modern Mat …

In art historical and art critical texts, the concept of “idiom” – an expression or mode of speaking that cannot be translated – is frequently used, even if it is rarely spoken of as such. TZK issue 108 explores how the idea of “idiom” might allow us t …

This is lesson number one of this issue’s dossier BERLIN KIDZ, which follows the anonymous group of graffiti writers, videographers, and train-surfers to the highest points in the German capital. Meanwhile in New Jersey, FRANK OCEAN lives out his exile …

in the second issue of fount magazine we examine what it means to »connect«. what does connection on an artistic level look like? in our category »mash-up« artists from around the globe came together in an open call to be inspired and to work together

The Bauhaus magazine 9 deals with the topic of substance

In issue 33 we speak with artists who are making funny, often using humour to explore life’s dark or bewildering elements. We discuss comedy as a bridge-maker, and as a way to address otherwise impenetrable topics with honesty and catharsis.

This issue’s special gatefold cover introduces “New Radicals,” a digest attempting to unpack a definition of radicality for the now. We extended the debate to a diverse group of new-generation artists, with four cover stories on filmmaker Kahlil Joseph …

This sixth issue of Space Magazine is dedicated to taking another look… at objects that seem ordinary or every- day, at people you somehow never met. It’s about that flood of recognition, sensing what you lost or maybe never had, a place or object th …

On the occasion of her carte blanche at the Palais de Tokyo from 18 October 2017 to 7 January 2018, the French artist Camile Henrot is the guest editor-in-chief of this issue 26 of the magazine PALAIS, devoted entirely to the exhibition “Days are Dogs. …

Printed Pages brings together the best from the creative world, providing a global survey of the most inspiring work and projects and the people who made them. Published by It’s Nice That, the biannual magazine is an essential overview of the last six …

Meandering forth through Montparnasse Cemetery each awakened dawn, bound for schoolmaster’s paper realm, lost youth’s Sophie Calle, amidst the labyrinthine gravestones, encountered many of the leitmotifs that would come to characterise much of her enig …

Kuwaiti producer and artist Fatima Al Qadiri is somewhat of an enigmatic figure at the merging point between electronic music, fine arts and political theory. Bending and fusing different genres of music, she has released a handful of largely instrumen …

Herausgegeben von Annemarie Jaeggi (Bauhaus Archiv / Museum für Gestaltung, Berlin), Claudia Perren (Stiftung Bauhaus Dessau) und Wolfgang Holler (Klassik Stiftung Weimar) für 100 Jahre Bauhaus, Geschäftsstelle Bauhaus Verbund 2019, Weimar.

This issue includes works by Todd von Ammon, Donatien Grau, Cecilia Alemani, Anthony Huberman, Michael Asher, Vincent Honoré, Ben Vickers, Pakui Hardware, Adriana Blidaru, Elizabeth Neilson, Margot Norton, Nicolas Deshayes, Piper Marshall, Liam Considi …

Célébrant quatre ans de workshops conduits à l’ECAL/Ecole cantonale d’art de Lausanne par Novembre dans le Département Photographie, cette exposition et sa publication conjointe offrent un point de vue kaléidoscopique du monde contemporain à travers le …

Social media provides an endless stream of images celebrating the perfect life. But are we living better lives as a result of this idealizing visual bombardment? We talk to artists who are scrutinizing the onslaught, offering us glossy images of the pe …

Featuring: Lawrence Weiner, Na Kim, Gay Talese, Kyoichi Tsuzuki, Maria Pratts, Jerry Schatzberg, Julien Dossena, Alec Soth, Margot & Fergus Henderson, Joseph Holtzman, Beach house in drag, Maureen Paley, and Domestic dystopia? Plus: A series of unique …

Entangling the seemingly contradictory, THIS IS BADLAND takes its Balkan roots to mine cross-cultural connections and initiate new dialogues. Based out of Berlin the magazine is driven by a desire to veer away from any homogenous understanding of reali …

Mousse is a bimonthly magazine published in Italian and English. Established in 2006, Mousse contains interviews, conversations, and essays by some of the most important figures in international criticism, visual arts, and curating today, alternated wi …

Edit ist eine Zeitschrift aus Leipzig, die dreimal im Jahr neue deutschsprachige Literatur präsentiert. Seit ihrer Gründung 1993 setzt sie sich für zeitgenössische Schreibweisen, die Vielfalt literarischer Formen und Erstübersetzungen ein. Seit 2014 er …

Ecology has as its Greek root oikos, meaning the entire habitat, house, or family—an interdependent ecosystem. (Economy has the same root.) We know it now as the study of the relationship between organisms and their environment, the interdependence of humans and their institutions. As Chickasaw poet Linda Hogan notes: “Here is a lesson: what happens to people and what happens to the land is the same thing.” And this is what the work that follows weighs. The third volume of the documenta 14 South as a State of Mind concerns the constant correlation among nature, capital, power, and language. The contributions that follow are documents of language, or hunger, or both. Why “language or hunger”? Consider the mouth a border, a boundary, a threshold: to swallow or to speak. Emptiness or language (or their meeting). On one side, inside, one feels physical hunger, a void; on the other side, outside, one puts forth language (into another void, perhaps). Hence language—being born with one, or finding it again, or creating one anew, a kind of lexicon—can be a means of nourishment, while hunger can be a form of resistance. Indeed, the new essays, poems, scripts, artists projects, and older manifestos and parables that together constitute this issue of South articulate the necessity of language, while considering consumption and hunger as political and aesthetic facts and fields that determined our past and will construct our collective future. “In contemporary times,” Nabil Ahmed writes, “emergent ecological crisis is a paradigmatic negative moment with regard to the unresolved dark twinning of capitalism and colonialism.” And it is this dark twinning that is our focus. If, as Ahmed declares, attentiveness to environmental violence is necessary for the “formation of an anticapitalist political ecology at once structural, social, psychic, and environmental,” we believe that an awareness of the role that language plays in this formation, as complicity or resistance, psychic or structural, is equally important. Language or hunger—a kind of border. A question (for you), also.

Dieser Jubiläumsband, KUNSTFORUM Nummer 250, erscheint zu Beginn einer neuen Ära: Nach der dritten industriellen Revolution, der Automatisierung durch Computer ab den 1970er Jahren, beginnt nun die vierte, in der Mensch und Maschine zusammenwachsen sollen. Als 1973 das KUNSTFORUM als Insider- Blatt konzipiert wurde, startete fast zeitgleich eine äußerst innovative und kreative Zunft mit Firmen wie Microsoft und Apple. Der Impuls aus diesem Aufbruchsmoment wird nun, 45 Jahre später, mit diesem Titelthema Ressource Kreativität wiederaufgenommen und in die Zukunft erweitert. Denn auch wenn die Differenz von Mensch und Maschine epochal verringert wird: Das Potenzial der kreativen menschlichen Intelligenz bleibt trotz künstlicher Intelligenz unverzichtbar. Die Beiträge der prominenten Autoren dieses Bandes finden ihre Wirkkraft jenseits von technikaffinem Leistungszwang und gehypter Kreativitätshysterie: Sie stellen das Phänomen Kreativität auf den Prüfstand und sprechen dabei nicht nur vom Rätsel der Kreativität, sondern auch von dessen Auflösung. Dieser Jubiläumsband bietet hundertfünfzig Anstiftungen zum Querdenken über die Kreativität als Rohstoff der Seele: für eine Welt mit mehr Eigensinn!

The world is acting out—making rash, impulsive decisions whose repercussions may be irreparable. The body politic is moody, volatile, and uncompromising. We were born into Y2K and 9/11; our youth is part of a string of crises and rapid evolutions. Can …

Crossing the threshold of 30 issues came as an opportunity for Kaleidoscope to take stock of the years behind and envision the trajectory ahead. Kaleidoscope chose 50 monographic stories from their past issues, spanning a diversity of media, generation …

We are delighted to announce the new issue of KALEIDOSCOPE Asia, the magazine’s bilingual sibling edition in English and Chinese, premiering in Hong Kong during Art Basel HK. “Technology, knowledge and a window to the external world.” This is Shenzhen, …

80 pgs, 21.1 × 27.1 cm, Magazine, 2017, 1749-3994

Delete Uber, delete Lyft. Fall Fiction Special. Nature writing after nature, extractivism after extraction, literary criticism after criticism. Syrian refugees in Bielefeld. A. S. Hamrah on Twin Peaks and Trump. n+1 is a print and digital magazine of l …

“Identity politics” has always been beleaguered territory. Yet recently the debate around “identity” has intensified and (with Trump) even developed new fronts. This issue examines the present state of identity politics in the West, finding the commodi …

Mastermind is a niche Fashion/Lifestyle magazine launched in collaboration with Marie-Amélie Sauvé, fashion stylist of Louis Vuitton & Paco Rabanne and current Fashion editor of T, the Fashion supplement of the NY Times. Cultural enrichment is Mastermi …

For its 5th issue, Collection revue has changed its subtitle from the previous “A magazine around contemporary drawing” to a more simple “9 conversations”. The issue is still a direct extension of the previous ones: engaging in conversations with artists who would not have the occasion to be reunited elsewhere than on these pages. Alongside the artists, the issue features graphic designers bridging the realms of technology and emotion, materialist publishers and a group of skaters turned gallerists.

Phile is a biannual journal exploring sexual subcultures, trends, and communities both obscure and well known from an overarching, sociological point of view.