Not since the early 2000s has a group of fashion photographers become a movement. Now, 21 contemporary fashion photographers have been brought together for Posturing, the book about a new movement. Featuring editorial work, it highlights how they use t …

Manege frei für die Welt der AkrobatInnen, der Clowns und der exotischen Tiere. Der Katalog „Parallelwelt Zirkus“ führt über die Werke zeitgenössischer KünstlerInnen in das Universum Zirkus ein und richtet den Blick auf einen wundersamen Ort der Welter …

Two photographers experience their first edition of Gărâna Jazz Festival and greedily capture all its details. From humans to animals, from sky to earth, from masters to disciples, from sound to light, we are witnessing a documentary created under the …

When those in the magazine industry need inspiration, they look to Purple. It has influenced countless other magazines and spawned trends that have trickled down through all levels of culture. To celebrate its fifteenth anniversary, this volume brings …

The strangeness of familiarity. As a visual artist, I can only say I was blessed to be born in Romania. In my country, almost everything is a picture. I do not have to search for images, I just live my life and pictures happen. Actually, the more I live my life the better my images get. People here have a specific quality, a sort of external image of poverty mixed together with profound internal abundance and creativity. A wonderful balance of roughness and sensibility. It all just comes together naturally, like an old pair of shoes you’ve worn thousands of times, they look worn out, but they’re your favorite pair, they’re comfortable, and then there’s all the memories you have together, places you’ve been, people you’ve met. You look at them and they make you smile. There is a lot of beauty in familiarity, like the classic Dacia car made in communist Romania, a symbol of nostalgia. All Romanians look upon it with fondness, especially the older generations but not because it was made in communist times but because it used to be the Romanian all inclusive family car. There are countless personal family memories attached to the car's instantly recognizable image. As a child I was, and still am, passionate about nature. I used to collect cactus plants, I had over 100 species of cacti and over 300 plants in total, I liked looking at them and I did it almost every day. As I watched every individual plant I knew every plants story of how I came to possess it. Some I grew from seed, some I bought from other collectors, there were some I got as a gift and some I stole from botanical gardens. There was always a story there. So, for me the image of each cactus plant contained this precious memory of time spent together. Family pictures work the same way, there is the picture, the actual physical photograph, and then there is the memory attached to it, the metaphysical or spiritual side of the image. My approach to photography is similar to the family snapshot, yet somehow it is the opposite, I already have the memory and I’m now searching, or rather waiting for the memory to manifest itself. The result is strangely familiar. The images in this project were made by Ovidiu Gordan in the counties of Sălaj, Bihor and Cluj, Romania, between 2007 and 2017

Hrsg. von Reinhard Braun. Anlässlich der gleichnamigen Ausstellung, Camera Austria, Graz, 10.3. – 29.4.2018. Mit einem Textbeitrag von Reinhard Braun (ger./eng.). Edition Camera Austria, Graz, 2018. 256 Seiten, 15,2 × 23,5 cm, 118 Duoton-Abbildungen. I …

MoMA PS1 presents the fourth iteration of Greater New York. Recurring every five years, the exhibition has traditionally showcased the work of emerging artists living and working in the New York metropolitan area. In conjunction with the exhibition, Mo …

In 1936, an ornithologist called James Bond released the definitive taxonomy of birds found in the Caribbean, titled Birds of the West Indies. Ian Fleming, an active bird watcher living in Jamaica, subsequently appropriated the name for his novel’s lea …

A dictionary will tell you that confabulations are memory disturbances; the production of fabricated, distorted memories about oneself and the world, but without a conscious intention to deceive. “Subjectivity is not the master signifier of the image,” …

Beiträge von Robert Klanten. Englisch. 144 Seiten, 24 x 30 cm. 1,1 kg. Fester Einband. 9783899553154. art-16280

Book of Comfort for a Nymphomaniac. Anlässlich des Films “Nymphomaniac” (2013-14) veröffentlicht. MACK Books 2015. Beiträge von Cecilie Høgsbro. Englisch. 160 Seiten, 90 Abb. (davon 90 farbig). 24,7 x 30,5 cm. 1,3 kg. Fester Einband. 9781907946592. art …

annual art edition

Katalog. Bonn 2018. Beitr. von Martina Löw, Barbara J. Scheuermann u.a. 24 x 32 cm. 200 S. mit 200 teils farb. ganzseit. Abb. & einigen Textabb., Ausst’verz., Bibliographie, broschiert – Text in dt. & engl. Sprache. Der Katalog zur Ausstellung im Kunst …

LE PETIT VOYEUR is an independent publisher from Copenhagen, dedicated to showcase and promote an eclectic mix of talented and creative visual artists worldwide. The main focus is on the featured artists works and their craftsmanship across genres, tec …

THE ARCHITECTURAL REVIEW (by Owen Hatherley): This wonderful book documents the architectural results of another Soviet anniversary – the celebrations of the centenary of Lenin’s birth in Ulyanovsk, formerly Simbirsk, the small city on the Volga where he was born. Told by the authorities in Moscow that the ‘door would be open’ for them to modernise their mainly wooden, one-storey, Tsarist city for the duration of the celebrations, and that they’d close it immediately when it was over, the local Party rushed to build a Museum, a Library, a Palace of Culture, housing, an Airport and the high-rise Hotel Venets before the tap of money and resources was turned off. In its first year of opening, two Poles, 70 Britons, and more than 3,000 East Germans arrived to stay in the Hotel Venets, and we get to read the inventory of difficult questions they answered (‘can we see how people live in those little wooden houses?’), and find out how hotel staff took it out on the guests.

Combining Polaroid photography and texts in English and Arabic, this book presents creative practices of design that occur on the sidewalk along with the unplanned interventions in the public space that give Cairo its distinctive character. Organized i …

Published by Innen, 16 pgs, 19 × 13 cm, Softcover, 2017,

Published on the occasion of Printed Matter’s New York Art Book Fair at MoMA PS1 September 22 – 24, 2017

Stéphane Déplan, a Grenoble citizen exiled in Brussels for several years now, regroups his activities under the name of Life as Art as Attitude. He practices a way of making art, through protocol and accumulation. His everyday actions and projects are …

Interview realized between 2016 and 1976. Originally from South Richmond, Virginia, Sissy Hankshaw was born in the Eisenhower Years and now lives in the Dakotas. Sissy has remarkably large thumbs – symbol of emancipation and non-conformity. Thanks to t …

Künstlerbuch mit 269 Abbildungen im vierfarbigen Offsetdruck, gestaltet von Katja Schwalenberg mit einem Text von Raimar Stange (dt./ engl.) Leineneinband, 256 Seiten, 11,8×17 cm, Auflage 500 ISBN 978-3-945111-37-6 Erschienen 07/2017

A Road Trip across the United States in Interviews and Photographs

Das Bild zeigt eine grausame Szenerie: Weiße Männer posieren in Sonntagsstaat für die Kamera. Zwei von ihnen mit Siegerminen jeweils eine Hand an den Knöcheln eines Afroamerikaners, den sie offenbar gerade an einem Baum gehängt haben. Der Titel des Bil …

The Unframed Ellis Island project is about bringing alive the memory of Ellis Island, the entry point to America for millions of immigrants. Coming from all over the world, leaving their belongings, their family and their past behind them, with the fea …

For more than 25 years Martin Parr has been taking photographs in Scotland. From the streets of Glasgow to an island agricultural show in Orkney, Parr has built a huge archive of photographs. Now for the first time these images are to be published in t …

Photography by Henry Roy Text by Henry Roy Edited and designed by Études Studio Published by Études Books, Paris Image post production by Janvier First edition, 300 copies February 2017, printed in EU ©2017, Études Books for this edition and Henry Roy …

Photography by Aurélien Arbet & Jérémie Egry Edited and designed by Études Studio Published by Études Books, Paris www.etudes-studio.com Image post production by Janvier First edition, 300 copies October 2017, printed in EU

Photography by Ari Marcopoulos Text by Kara Walker Edited and designed by Études Studio Published by Études Books, Paris Image post production by Janvier First edition, 300 copies February 2017, printed in EU ©2017, Études Books for this edition and Ar …

Klasse für Fotografie Heidi Specker Rundgang HGB 2017 Text Martin Basman Bilder Arne Wiedemann Felix Brenner Alexander Meyer Susann Busch Bastian Gehbauer Roman Häbler Dorothee Waldenmaier Jana Slaby Arthur Zalewski Gestaltung: Thomas Spieler Peter Cornicius Produktion: Patrick Liebisch Johannes Oestringer Auflage 150 “Die schwarze, weil böse, Beate Zschäpe (überkritzeltes Passfoto, schemenhaft). Die weisse, weil blonde, Kim Gordon (in Form eines Sonic Youth T-Shirts, getragen von Junger Frau am Baggersee). Das – NOT SO – das worum es geht, findet sich verheddert im Haar wieder, offen. Nichts ist wirklich zu erkennen und doch ergibt sich ein klares Michael Schmidt Bild”

Klasse für Fotografie Heidi Specker Rundgang HGB 2017 Text Martin Basman Bilder Arne Wiedemann Felix Brenner Alexander Meyer Susann Busch Bastian Gehbauer Roman Häbler Dorothee Waldenmaier Jana Slaby Arthur Zalewski Gestaltung: Thomas Spieler Peter Cornicius Produktion: Patrick Liebisch Johannes Oestringer Auflage 150 “Die schwarze, weil böse, Beate Zschäpe (überkritzeltes Passfoto, schemenhaft). Die weisse, weil blonde, Kim Gordon (in Form eines Sonic Youth T-Shirts, getragen von Junger Frau am Baggersee). Das – NOT SO – das worum es geht, findet sich verheddert im Haar wieder, offen. Nichts ist wirklich zu erkennen und doch ergibt sich ein klares Michael Schmidt Bild”

Mit Beiträgen von Philipp Hübl, Jonas Kaplan, Joe Keohane, Michael Seemann, Wolfgang Tillmans und Interviews mit Lionel Barber, Carolin Emcke, Sigmar Gabriel, Bianca Klose, Stephan Lewandowsky, Brendan Nyhan und Wolfgang Schäuble Was ist anders? ist de …

This publication intersperses essays from scholars, historians, and thinkers with a selection of Allan Sekula’s seminal texts and excerpts from his private notebooks. Made and written across the decades, Sekula’s sketches and texts focus on maritime sp …

Nothing but Clouds were the words used by the research commission in Andrey Tarkovsky’s 1972 film Solaris to deny video evidence suggesting traces of alien life on the planet. Taking this disclaimer as its title, this meditative book by Kristina Jurots …

Im Jahr 2015 erschien von Andrzej Steinbach der Fotoband Figur I, Figur II, in dem zwei Frauen porträtiert wurden. In seinem neuen Buch erweitert er den Personenkreis, um sich fotografisch mit der Frage auseinanderzusetzen: Warum sollte man binären Ordnungsschemata misstrauen und sich Figurationen des Dritten zuwenden? Als fotografischer Ausgangspunkt dient Steinbach das klassische Format des Gruppenbildes bzw. des Familienporträts. Alle beteiligten Figuren schauen in Richtung Kamera und blicken zum Betrachter hin. Aber im Bildmittelpunkt ist immer nur eine Person zu sehen, die anderen sind angeschnitten. In der Serie wechseln die Modelle ihre Positionen und auch die Kleidung, so dass ein Verwirrspiel entsteht und die Dreierkonstellation immer wieder aus der Ordnung gerät. Der Titel Gesellschaft beginnt mit drei lehnt sich an den gleichnamigen Essay von Ulrich Bröckling an und ist Steinbachs gelungene fotografische Umsetzung dieses Gedankens.

Lara Baladi Irene Chabr Lynn Hershmann Leeson Thomas Hirschhorn Randa Maroufi Rabih Mroué Thomas Ruff D. H. Saur

For more than twenty years, Armin Linke has been photographing the effects of globalization, the wholesale transformation of infrastructures, and the networking of the post-industrial society via digital information and communication technologies. His …

Entangling the seemingly contradictory, THIS IS BADLAND takes its Balkan roots to mine cross-cultural connections and initiate new dialogues. Based out of Berlin the magazine is driven by a desire to veer away from any homogenous understanding of reali …

The German photographer Daniel Sannwald (*1979) produces magical, surreal, and colorful images. Based in London, he contributes to magazines such as Dazed and Confused, i-D, PoP, Arena Homme+, and Vogue, and is considered one of the top fashion photogr …

CRUISING L.A. BY BIKE MEANS, YOU HAVE PLENTY OF TIME. FOR EVERYTHING. NO CAR RIDES, NO MORE SITTING IN HEAVY TRAFFICTHAT IS CRAWLING THROUGH THE CITY, MAKING YOU UNABLE TO MOVE BACK. THE CITY OF DREAMS ONLY KNOWS ONE DIRECTION – FORWARD. CYCLING AT A L …

For more than twenty-five years, Armin Morbach (b. Haag, Bavaria, 1971, lives in Hamburg, works around the world) has defined a visual aesthetic that finds beauty in everything. The publisher of the magazine TUSH, hair and makeup artist for fashion sho …

Der deutsche Fotograf Wolfgang Tillmans (*1968, Remscheid) lebt und arbeitet in Berlin und London. Sein Oeuvre ist zum einen durch aufmerksame Beobachtung seiner Umwelt, zum anderen durch die Erforschung der Grundlagen der Fotografie geprägt. 2000 wurd …

Abrams 2012. Beiträge von David Campany. Englisch. 184 Seiten, 196 Abb. 21,5 x 29,7 cm. 1,3 kg. Fester Einband mit Schutzumschlag. 9781419707490. art-15590

Hallo Deutschland, ruft die zehnte Soirée graphique. Dieses Jahr finden sich Fotografinnen und Fotografen, Grafikerinnen und Grafiker aus Deutschland und der Schweiz zu einem künstlerischen Austausch. Es wird zum Dialog zwischen Fotografie und Grafikde …

Hans Hansen is one of the most important contemporary artists of still-life photography. His work combines poetic still lifes and precise documentary product photographs. His view of things is pared right down, his gaze at once linear and full of energ …

OH MY GOD, LOOK AT HER BUTT! Post-Butt analyses the virality of images in our mediated society. More rounded, it is a case study around the image of female butts, bootys, and behinds, and their influence in media, society and art. The butt is the prota …

in Referenz zu: “Die rote Wüste” (1964) von Michelangelo Antonioni Hrsg. Joachim Brohm und Anna Voswinckel, Hochschule für Grafik und Buchkunst Leipzig; in Zusammenarbeit mit Gabriele Conrath-Scholl und Claudia Schubert, Die Photographische Sammlung/SK …

Juergen Teller is globally recognised as one of the most influential photographers of his generation. Subversive, compelling and provocative, his work has achieved a cult-like following in a career spanning more than 30 years. This book documents Telle …