Klasse für Fotografie Heidi Specker Rundgang HGB 2017 Text Martin Basman Bilder Arne Wiedemann Felix Brenner Alexander Meyer Susann Busch Bastian Gehbauer Roman Häbler Dorothee Waldenmaier Jana Slaby Arthur Zalewski Gestaltung: Thomas Spieler Peter Cornicius Produktion: Patrick Liebisch Johannes Oestringer Auflage 150 “Die schwarze, weil böse, Beate Zschäpe (überkritzeltes Passfoto, schemenhaft). Die weisse, weil blonde, Kim Gordon (in Form eines Sonic Youth T-Shirts, getragen von Junger Frau am Baggersee). Das – NOT SO – das worum es geht, findet sich verheddert im Haar wieder, offen. Nichts ist wirklich zu erkennen und doch ergibt sich ein klares Michael Schmidt Bild”

Klasse für Fotografie Heidi Specker Rundgang HGB 2017 Text Martin Basman Bilder Arne Wiedemann Felix Brenner Alexander Meyer Susann Busch Bastian Gehbauer Roman Häbler Dorothee Waldenmaier Jana Slaby Arthur Zalewski Gestaltung: Thomas Spieler Peter Cornicius Produktion: Patrick Liebisch Johannes Oestringer Auflage 150 “Die schwarze, weil böse, Beate Zschäpe (überkritzeltes Passfoto, schemenhaft). Die weisse, weil blonde, Kim Gordon (in Form eines Sonic Youth T-Shirts, getragen von Junger Frau am Baggersee). Das – NOT SO – das worum es geht, findet sich verheddert im Haar wieder, offen. Nichts ist wirklich zu erkennen und doch ergibt sich ein klares Michael Schmidt Bild”

Hardcover: 764 pages Publisher: Fondazione Prada; Box Har/Ps edition (June 27, 2017) Language: English ISBN-10: 8887029709 ISBN-13: 978-8887029703 Product Dimensions: 5.3 x 1.6 x 6.9 inches

Mit Beiträgen von Philipp Hübl, Jonas Kaplan, Joe Keohane, Michael Seemann, Wolfgang Tillmans und Interviews mit Lionel Barber, Carolin Emcke, Sigmar Gabriel, Bianca Klose, Stephan Lewandowsky, Brendan Nyhan und Wolfgang Schäuble Was ist anders? ist de …

Title: Lance Wyman: The Visual Diaries 1973—1982 Sketches, Notes, Photographs and Printed Ephemera Editors: Tony Brook & Adrian Shaughnessy Design: Spin

Katalog mit ca. 400 Abbildungen im vierfarbigen Offsetdruck, gestaltet von Paul Bowler und Georg Weißbach mit Texten von ART N MORE, Dr. Ralf Hartmann, Franz Hempel, Dr. Marcus A. Hurttig (dt.) Broschur, 300 Seiten, 17×24 cm, Auflage 500 Erschienen 11/ …

Sam Thorne’s School: A Recent History of Self-Organized Art Education is a chronicle of self-organized art schools and artist-run education platforms that have emerged since 2000. Comprising a series of twenty conversations conducted by Thorne with the …

This publication intersperses essays from scholars, historians, and thinkers with a selection of Allan Sekula’s seminal texts and excerpts from his private notebooks. Made and written across the decades, Sekula’s sketches and texts focus on maritime sp …

Project Phalanstère at CAC Brétigny, or “Of museum orgy or mixed omnigamy in composite and harmonic order” Treatise Contributions by Atelier Van Lieshout (AVL), Robert Breer, Daniel Buren, Maurizio Cattelan, Nicolas Chardon, Marie Cool Fabio Balducci, …

annual art edition

Nothing but Clouds were the words used by the research commission in Andrey Tarkovsky’s 1972 film Solaris to deny video evidence suggesting traces of alien life on the planet. Taking this disclaimer as its title, this meditative book by Kristina Jurots …

255 Seiten mit zahlreichen Abbildungen fadengeheftete Schweizer Broschur mit offenem Rücken und Klappen Grafik: Christoph Engel Leipzig, Oktober 2017 ISBN: 9783959051927 Breite: 22 cm; Höhe: 33 cm Sprache: Deutsch, Englisch

Der Raum für Visuelle Forschung arbeitet seit 2013 als Labor für experimentelle Forschung an neuen grafischen, abstrakten und visuellen Welten im Kontext der Bauhaus-Universität Weimar. Er ist Werkstätte und Denkraum zugleich und unterstützt die Notwen …

Im Jahr 2015 erschien von Andrzej Steinbach der Fotoband Figur I, Figur II, in dem zwei Frauen porträtiert wurden. In seinem neuen Buch erweitert er den Personenkreis, um sich fotografisch mit der Frage auseinanderzusetzen: Warum sollte man binären Ordnungsschemata misstrauen und sich Figurationen des Dritten zuwenden? Als fotografischer Ausgangspunkt dient Steinbach das klassische Format des Gruppenbildes bzw. des Familienporträts. Alle beteiligten Figuren schauen in Richtung Kamera und blicken zum Betrachter hin. Aber im Bildmittelpunkt ist immer nur eine Person zu sehen, die anderen sind angeschnitten. In der Serie wechseln die Modelle ihre Positionen und auch die Kleidung, so dass ein Verwirrspiel entsteht und die Dreierkonstellation immer wieder aus der Ordnung gerät. Der Titel Gesellschaft beginnt mit drei lehnt sich an den gleichnamigen Essay von Ulrich Bröckling an und ist Steinbachs gelungene fotografische Umsetzung dieses Gedankens.

OLAFUR ELIASSON: REALITY MACHINES – STOCKHOLM, MODERNA MUSEET – Catalogue ed. by Matilda Olof-Ors. Stockholm 2015/16. Vorw. von Daniel Birnbaum, Ann-Sofi Noring & Kerstin Brunnberg. Einl. von Matilda Olof-Ors.Text von Daniel Birnbaum, Timothy Morton & …

Der dänische Künstler Tal R hat im Verlauf von zwei Jahrzehnten ein umfangreiches Werk geschaffen und sich international einen Ruf als einer der bedeutendsten Maler seiner Generation erworben.

Format: Paperback with paper slipcase Size: 217mm×280mm Pages: 320 Colour: Four colour litho print ISBN 978-0-9575114-5-3

The expanded edition of TD 63–73 is a unique insider’s account of Total Design’s golden period. It contains hundreds of images from the TD archive, and in Ben Bos’s text the reader is given a personal history of a design group that remains as important …

Title: Herb Lubalin: Typographer [Unit 25] Editors: Adrian Shaughnessy & Tony Brook Consultant Editor: Alexander Tochilovsky Design: Spin Edition of 2000

Lara Baladi Irene Chabr Lynn Hershmann Leeson Thomas Hirschhorn Randa Maroufi Rabih Mroué Thomas Ruff D. H. Saur

An unofficial history of Jamaican dancehall music told through its graphic design, Serious Things a Go Happen brings together more than 100 original posters and signs from the early 1980s through today, drawn from the poster collection of Jamaican film …

This book offers a unique view into the creative universe and artistic circle of agnès b. by bringing together major works she has collected and the special contributions by personalities such as Kenneth Anger, Jonas Mekas, Jonone, Futura, Edouard Glis …

For more than twenty years, Armin Linke has been photographing the effects of globalization, the wholesale transformation of infrastructures, and the networking of the post-industrial society via digital information and communication technologies. His …

“(Curating) From A to Z” offers a summary of the development of curatorial practice over the last two decades seen through the eyes of curator Jens Hoffmann. In this publication each letter of the alphabet evokes a particular word related to the world of exhibition making: From A (as in Artist) and B (as in Biennial) to R (as in Retrospective) and W (as in White Cube). Employing a diarist style, the curator presents his personal curatorial alphabet with a similar transparency and the same idiosyncratic character revealed in many of his exhibitions. The entries are not only stimulating and intellectually rigorous, but also emotionally engaging. Jens Hoffmann (b. 1974 in San José, Costa Rica) is a writer, exhibition maker, and educator. He currently is Deputy Director of The Jewish Museum, New York. He has published widely in journals and museum publications and has written over 200 texts on art and exhibition making over the last 15 years. His most recent books include “The Studio” (2012), as well as “Show Time: A History of Exhibitions” (2014). He is the founder and editor of “The Exhibitionist: Journal on Exhibition Making.” Most recently he co-curated the 9th Shanghai Biennial (2012/13) and the 12th Istanbul Biennial (2011).

A sourcebook of graphic design by one of the leading European art schools, the ECAL/University of Art and Design Lausanne, headed by Alexis Georgacopoulos. Designed and art directed by Gilles Gavillet, this volume aims to show the variety of production …

The publication recounts and documents, somewhat in the style of a history book, the principle steps, achievements, and teaching principles which have led the Ecole cantonale d’art de Lausanne from the position of a regional school to that which it occ …

Sibylle Berg has the eye of an entomologist: she scrutinizes wretched human existence for its characters, dissects feelings and dramas, stigmatizes dreams and hopes: but does so quite gently and humorously, with empathy. It is just that she prefers bei …

Daniel Buren’s follows the set-up of their respective artistic programs within the corporate spaces of the bank and the ways they conceived simultaneously their site-specificity and their break away from this framework.

The starting point of this publication—and its eponymous exhibition held in Zurich in Spring 2017—is the conceptual encounter between English Pop art artist Richard Hamilton (1922–2011) and Swiss historian and critic of architecture Sigfried Giedion (1 …

First book dedicated to the English artist and musician (*1955). The artistic career of Linder Sterling stretches over three decades and numerous areas of cultural production. This publication brings together for the first time material ranging from he …

In the mid-1960s, there was widespread dissatisfaction in German architecture faculties: in the eyes of students and teaching assistants, the training of so-called artist-architects no longer seemed in keeping with the times. In protest, they independently organized their own interdisciplinary seminars and examinations. They committed themselves to the scientification of the architectural plan. During the period of student unrest, they debated the social uses of architecture and planning and tested participative models in practical contexts. Students printed flyers, campaigned in various political groups, and set up magazines. On the basis of interviews with contemporary observers of the scene, archival research, and contributions from authors, the book presents a detailed overview of these now almost “forgotten schools”. The editors were inspired not only by reviewing the historical events but also by the relevance they have for current debates on the professional profile of planners and architects and their sociopolitical responsibilities. Text: Matthias Burke, Beatrice Colomina, Hisar Ersöz, Jesko Fezer, Matthias Görlich, Nina Gribat, Eleonore Harmel, Julia Hartmann, Tanja Herdt, Leon Jank, Philipp Misselwitz, Ines Weizman Eyewitness: Harald Bodenschatz, Klaus Brake, Peter Conradi, Rolf Czeskleba–Dupont, Peter Dietze, Uwe Drepper, Gisbert Dreyer, Franziska Eichstädt-Bohlig, Rainer W. Ernst, Helga Fassbinder, Dieter Frick, Anette Gangler, Sigmar Gude, Lothar Götz, Sybille Heeg, Peter Herrle, Peter Hübner, Frank Huster, Declan Kennedy, François Kerschkamp, Bärbel Kirschner, Ingrid Krau, Reinhard Kuchenmüller, Nikolaus Kuhnert, Arno Lederer, Wolfgang Linsenhoff, Ingrid Lübke, Jörg Pampe, Sybille Plesch-Kinzler, Wolf Reuter, Hans-Joachim Rieseberg, Winfried Schwantes, Wolfgang Schwinge, Thomas Sieverts, Viktoria Waltz, Manfred Walz, Klaus Zillich

The first-ever global survey of brutalist architecture from the 1950s to the 1970s, based on research project carried out collaboratively by Deutsches Architekturmuseum DAM and Wüstenrot Foundation.

Ein spektakuläres Erschliessungsprojekt des Deutschen Architekturmuseums und der Wüstenrot Stiftung: Erstmals wird die brutalistische Architektur der 1950er- bis 1970er-Jahre in einer weltweiten Bestandsaufnahme dargestellt.

How can one put music on exhibit in an art context? This was the question preoccupying curator Clara Meister, artist and composer Ari Benjamin Meyers, and producer Thomas Mayer when they started Soundfair in Berlin in 2008 — an international exhibition …

Featuring: Lawrence Weiner, Na Kim, Gay Talese, Kyoichi Tsuzuki, Maria Pratts, Jerry Schatzberg, Julien Dossena, Alec Soth, Margot & Fergus Henderson, Joseph Holtzman, Beach house in drag, Maureen Paley, and Domestic dystopia? Plus: A series of unique …

Entangling the seemingly contradictory, THIS IS BADLAND takes its Balkan roots to mine cross-cultural connections and initiate new dialogues. Based out of Berlin the magazine is driven by a desire to veer away from any homogenous understanding of reali …

herausgegeben von Juliane Richter, Tanja Scheffler und Hannah Sieben mit Texten von Katharina Benjamin, David Crowley, Tom Erdmann, Simone Hain, Dieter Hassenpflug, Thomas Hoscislawski, Wolfgang Kil, Antje Kirsch, Gwenaëlle Le Goullon, Kaja Mielcarek, …

The German photographer Daniel Sannwald (*1979) produces magical, surreal, and colorful images. Based in London, he contributes to magazines such as Dazed and Confused, i-D, PoP, Arena Homme+, and Vogue, and is considered one of the top fashion photogr …

The new issue features 23 artistic positions focusing on erotic contemporary drawing. FUKT #16 is presenting a broad range of different techniques and expressions: from Martin Skauen’s humoristic and explicit cartoons to Bettina Krieg’s abstract line d …

CRUISING L.A. BY BIKE MEANS, YOU HAVE PLENTY OF TIME. FOR EVERYTHING. NO CAR RIDES, NO MORE SITTING IN HEAVY TRAFFICTHAT IS CRAWLING THROUGH THE CITY, MAKING YOU UNABLE TO MOVE BACK. THE CITY OF DREAMS ONLY KNOWS ONE DIRECTION – FORWARD. CYCLING AT A L …

Es war nicht weniger als der Aufbruch in eine neue Dimension: Als 1911 der Theaterreformer Adolpe Appia, der Rhythmiker Émile Jaques-Dalcroze, der Architekt Heinrich Tessenow und der Künstler Alexander von Salzmann in Hellerau zusammentrafen, schufen s …

The manifold entanglements of African and Western culture are a central motif in the oeuvre of the Algerian-French artist Kader Attia. The influence of traditional African architecture on European modernism forms the background for his voluminous spati …

Images are just as much in motion as people. In a globalized world they can move faster and more freely than humans. When artist Armin Linke was invited more than seven years ago to participate in a photographic project on the island of Lampedusa, he l …

Jim Avignon ist Maler, Illustrator und Konzeptkünstler und zählt zu den ungewöhnlichsten Charakteren in der aktuellen deutschen Kunstszene. Sein Markenzeichen sind leuchtende Farben, Witz, unprätentiöses Material und ein enormer Output. Erstmals gibt n …