Initiated by Corina Neuenschwander, Proposal for a (Book)shelf is a project space for participants of the Werkplaats Typografie for presenting work. The Shelves, a small niche, are located inside the meeting room of the school. Similar to many places i …

Edit ist eine Zeitschrift aus Leipzig, die dreimal im Jahr neue deutschsprachige Literatur präsentiert. Seit ihrer Gründung 1993 setzt sie sich für zeitgenössische Schreibweisen, die Vielfalt literarischer Formen und Erstübersetzungen ein. Seit 2014 er …

Socialist Architecture – The Reappearing Act is a cooperation between the architect Srdjan Jovanovic Weiss and the photographer Armin Linke. Since 2009, Jovanovic Weiss and Linke are documenting the current state of selected places of socialistic archi …

As well as featuring an in-depth 40 page portfolio of Jacob Aue Sobol’s unpublished series Road of Bones, this issue includes Elizabeth Murphy’s essay on the merits of collecting works by younger artists such as Daniel Shea, Lina Scheynius and Mårten L …

2014. 17,6 x 24,2 cm. Gewicht: 972 g. 291 Seiten Register und Bibliografie. Fester Einband. Text: Englisch. Oro Editions. ISBN 9781941806067. art-15259

An Encounter of the Cosmopolitan Avant-Garde. Regina Bittner, Kathrin Rhomberg (Hrsg.). Ausst’publikation. Bauhaus Dessau 2013. Beiträge von: Torsten Blume, Sria Chatterjee. 17,2 x 24,2 cm. Gewicht: 486 g. 212 Seiten mit 132 Abb. Broschur. Text: Englis …

What do people do, if they are out in the street? Reading? Waiting? Can we recognize the inhabitant, the stranger, the traveller by his actions and deeds in an urban setting? This is the premise of Johannes Schwartz’s exploration, which was set in Athe …

Published on the occasion of an exhibition by Shannon Ebner at the Institute of Contemporary Art, Miami, which centres around an eponymous new video work commissioned by the museum. In her work the Los Angeles-based artist critically explores the role …

Batia Suter’s work intuitively situates found images in new contexts to provoke surprising reactions and significative possibilities. This volume follows on from the first ‘Parallel Encyclopedia’, published in 2007. Underlying themes of Suter’s practic …

According to Austrian designer Robert Stadler, “The idea in question is rooted in my fascination with unidentifiable objects.” Published in conjunction with the exhibition at Galerie Poirel in Nancy, the catalogue follows Stadler’s inquiry into those l …

Seit dem 19.Jahrhundert gehören Plakate zum Bild der Städte. Die frühesten davon sind Anschläge reisender Zirkus- und Schaustellertruppen. Pierre Pané-Farré hat Plakate des Leipziger Druckers Oskar Leiner mit historischen Fotos der Stadt zu einem Buch …

Updated reprint in black of a book featuring a collection of Na Kim’s work from 2006 to 2015 published on the occasion of her fourth solo exhibition, SET (named after this publication) at DOOSAN Gallery New York, from October 8 to November 5, 2015. For …

“If there was a clearly defined place for me to go, where I would be welcomed and at peace, I would surely have gone there many years ago.” Justin Vivian Bond is one of a growing number of artists who explore gender identity in non-binary terms. In thi …

The artist and musician Alexander Tucker returns to comics with World in the Forcefield 1, a tale of existential boredom set in a fantastical universe. The book explores perception and inter-dimensional reality in a tale of two estranged brothers shari …

Katalog mit 90 Abbildungen im vierfarbigen Offsetdruck, gestaltet von André Fuchs mit einem Text von Anna M. Szaflarski (engl./ dt.) und Gedichten von Stefan Wartenberg (dt.) Festeinband, 96 Seiten, 16,3×21,7 cm, Auflage 300 Erschienen 03/2017 ISBN 978 …

Network is 8 x 11 inches, 336 pages, otabound with smythe sewn signatures. The publication features fore-edge printing and includes a half-sheet bookmark. It is printed on 120 gsm Munken Polar Rough, in a first edition of 1100 copies.

Katalog mit 36 Abbildungen im Offset-, Duplex- und Irisdruck, gestaltet von Lisa Pommerenke mit einem Text von Leonie Pfennig (dt./ engl.)

LE PETIT VOYEUR is an independent publisher from Copenhagen, dedicated to showcase and promote an eclectic mix of talented and creative visual artists worldwide. The main focus is on the featured artists works and their craftsmanship across genres, tec …

OPEN DAG / OPEN DAY A book documenting the indoor walls of the Werkplaats Typografie. All photos are taken on November 13 & 15, 2012. Concept, Design & Photography Bardhi Haliti

This book offers a glimpse into all of the rooms and reception areas in the Modez Hotel of fashion and design in Arnhem. By means of words and pictures it explores the ideas behind the creation of each room as well as the design process and the designi …

summer 2017

summer 2017

In the 1950s, Frei Otto’s tent structures left their mark on the horticultural shows of the new Bonn Republic; together with Behnisch & Partner he created the roof landscape for the Munich Olympic Games in 1972. The innovative potential in his work is …

In the 1950s, Frei Otto’s tent structures left their mark on the horticultural shows of the new Bonn Republic; together with Behnisch & Partner he created the roof landscape for the Munich Olympic Games in 1972. The innovative potential in his work is …

THE STETTHEIMER SET Not just Duchamp, not just Picabia: Florine Stettheimer, painter of parties and department stores, is a modernist master. And today’s artists know it by Matthew J. Abrams ARRESTED DEVELOPMENT South Korea’s first female president is …

featuring interviews with DJ Stingray, J.G. Biberkopf, Interstellar Funk, Grebenstein, Brain Case, Pan Daijing and Marlene Engel, one of the curators of Wiener Festwochen; portraits on Tolouse Low Trax and Sleaford Mods; an essay called “Entropy as Exi …

The archive of the Photo Service of the President of the Socialist Federal Republic of Yugoslavia contains nearly 300,000 photographs documenting Josip Broz Tito’s public and private activities from 1948 until his death in 1980. It is housed today in t …

leipzig, 2017 At the end of the 1950s Karl-Heinz Adler began to reinvent himself as an artist: he arranged fanned layerings of the same geometric elements, constructivist collages of interpenetrating rectangles, and laminations of transparent film, lat …

The first Public Possession publication (a collage in book form) is available now. The mixture of text and graphic material is the result of their research on the topic of sleep. “N.B. the publication is at once an invitation to wake and to sleep.” Inc …

mai 2017

A catalog of selected works from 2014 to 2016 by Ellen Akimoto, born 1988 in Westlake Village, California. Ellen Akimoto completed her studies as a Meisterschülerin in the class of Annette Schröter at the Hochschule für Grafik und Buchkunst in Leipzig in 2016, and previously earned her BFA at California State University Chico.

Erscheint anlässlich der Einzelausstellung “Lokaler Superhaufen” in der Galerie b2, Leipzig vom 21.10. bis 19.11.2016. Das Künstlerbuch Ferne Laute von Benjamin Dittrich besteht aus 65 schwarz-weißen Linolschnitten der Serie “KEN67”. “KEN67” basiert auf dem Lexikon “Kleine Enzyklopädie Natur”. Die darin enthaltenen Diagramme wurden in Einzelteile zerlegt und jeglicher Text wurde entfernt. Per Zufallsprinzip wurden jeweils fünf Elemente ausgewählt, zu einem neuen Diagrammkonstrukt zusammengefügt und dann als Linolschnitt umgesetzt.

A BIANNUAL MAGAZINE CELEBRATING INFLUENTIAL PERSPECTIVES ON CONTEMPORARY CULTURE – from art to fashion, social history to music, architecture to current affairs

The theme for this issue of Orlando is discourse. The themes have always been deliberately capacious and open to interpretation, in order to allow for broad and nuanced responses. This issue is no different, intending to consider discourse as a means to explore ways of organising and sharing knowledge, experience, ideas, and also a way of re-writing knowledge, of communicating the silenced, the obscure, the unknown. In the era of Brexit, of Trump, of rampant nationalism, it has never felt more necessary or urgent to resist oppression, disrupt the canon, open borders, and breathe air into the foul-smelling echo chambers of bigotry and prejudice. Crucially, we also need to know when not to speak, and to think about listening, and how to elevate the important voices that are insidiously silenced by society. Orlando cuts through the noise of clickbait trolls and is an antidote to the ‘post-truth’ mainstream media. Publishing is a form of collective action, and discourse is an avenue in which to encourage radical conversation and critique. The articles and artwork in this issue consider and communicate ideas of amateurism and empathy, propose radical and alternative ways to experience multifarious identities, and consider how we can either academically analyse or casually converse about these new realities. The magazine at large is also inherently self-referential, by way of being a publication, and thus becomes it’s own document and testament to a varied and passionate discourse.

How do you find truth in an age without facts? The answer: wake up and stick together. In this issue’s dossier “US vs. THEM,” creative director RICHARD TURLEY explores how the Global Right Wing’s blatant disregard for reality has given us all a license to become Nonsense Warriors. Turning away from “them” and towards “us,” CATHERINE OPIE, NICOLAS GHESQUIÈRE, and STEFANO PILATI take us into their inner circles of friends, while COLLIER SCHORR turns BELLA HADID into Lisa Lyon. We revisit the work of MICHAEL SCHMIDT, and how his community workshops turned Berlin into a cauldron of contemporary photography. JACKIE NICKERSON shows us what Robert Longo looks like with a faster Internet connection, while CARSTEN HÖLLER takes us into his kitchen to explore the post-digital nature of food. We speak with VIRGIL ABLOH as he plots a fashion industry coup d’état and follow JASON DILL on a skate odyssey to hell and back to Fucking Awesome. And, last but not least, we make a pilgrimage to Santo Sospir, the villa on the Riviera where JEAN COCTEAU created his greatest Gesamtkunstwerk. Also included with the issue, our “HEAT UP HADID” TRANSFER KIT which allows you to create your own t-shirt emblazoned with this issue’s BELLA HADID cover.

2017

Paul Mpagi Sepuya’s Studio Work collects formal portraits, snapshots, still-lifes and documentation of the studio space, created during his residency at the Studio Museum in Harlem from 2010–2011. The artist writes: “I am exploring how the studio environment, as the site of creation, editing, and accumulation affects and frames portraiture, and the performance of portraiture.”

– Das Material Girl Magazine feiert dieses Jahr nicht nur seinen zehnten Geburtstag, sondern heißt ab sofort auch Material Magazine. Chefredakteurin Kira Stachowitsch und ihr Team haben dem Heft, das sich rund um schöne Produkte und weibliche Kreative dreht, einen neuen Look verpasst.

Author: Jason Farago (ed.) Publisher: Even Magazine, LLC Language: English Pages: 184 Size: 230 x 165 cm Weight: 480 g Binding: Softcover ISBN: 9780996954945

Featuring: Alessandro Mendini, Bernard Rudofsky’s ‘La Casa’, Kim Hastreiter, Barbara Nessim, Naoki Takizawa, Cristopher Nying, Flawless Sabrina, Antoni Miralda, Leonard Koren, Ford Wheeler, Richard Hell, and Penny Martin. Plus: Instagram stories, a conversation with Carlota Guerrero, Paloma Lanna, and Soraya Rosales, and a portfolio of Robby Müller’s Polaroids

Modern Matter’s Colour Model issue is about the way that a full and varied spectrum bands together to make a single fully-unified whole. We mean this literally, and also as a metaphor. Playing with the theme of CMYK colour, the issue looks at global contributions to creativity and style, and the ways in which we work better together — and in full technicolour. Issue 12 is Modern Matter’s biggest, brightest edition to date. Featuring Walead Beshty, Alex Da Corte, Mark Leckey, Seth Price, Beatrix Ruf, Amalia Ulman, and more. london, 2017

march, 2017

In 1949, the competition »Die besten Plakate des Jahres« (The Best Posters of the Year) took place for the first time in the newly founded Federal Republic of Germany. Designers could enter poster designs from the past year, a jury of experts awarded prizes for the best works. From 1966 onwards, there was such an annual competition in the GDR too. Many of the commended works from that time are today amongst the canon of German and international design history. The book tells the eventful history of the com­peti­tions and their changing shape over the decades. The picture section shows over 250 posters from 1949 to 2000 from a total of almost 4,000 award-winning works. An all-German poster history, which visualizes lasting changes as well as transient design trends and shows many of the best German posters, including works by Helmut Brade, cyan, Michael Engelmann, Frieder Grindler, Erhard Grüttner, Rudolf Grüttner, Hans Hillmann, Günther Kieser, Uwe Loesch, Holger Matthies, Pierre Mendell, Rolf Felix Müller, Volker Pfüller, Ott+Stein, Gunter Rambow and many others.

Any Part, Any Form is a follow-up to London-based graphic designer Radim Peško’s Informal Meetings (2010), a collection of photographs made during travels and wanderings to different places. This volume brings back found compositions and situations where seemingly unremarkable encounters between space, architecture and water suggest their own stories.

We believe that a man’s style is something that derives from his own personality, not from ephemeral “trends”. We enjoy opinionated men. Men with a sense of purpose and a soul. Smart, intelligent and creative; men with ideas and ideology. Men who are their own men, who don’t fit others’ standards. Misfits? Yes. We don’t believe in negativity. We believe in revolution.