The Jan/Feb issue explores how events rewrite the rules of engagement. Using immersive technologies to draw visitors into highly engaging experiences, Atelier Brückner recomposes the Hyundai story and Wayne McGregor choreographs a dance with drones.

REVS magazine is a Fashion and Art magazine directed by a team based between New York and Helsinki. It started from the dream of Creative Director Federico Cabrera and his team to later become a timeless publication of cultural value that appeals to ev …

Dazed celebrate four new faces defining the new season, captured by Viviane Sassen, Roe Ethridge, Angelo Pennetta and Johnny Dufort. Elsewhere in an issue spotlighting those who deconstruct what we expect of fashion, Gareth McConnell captures menswear …

Die vorliegende Publikation erscheint im Rahmen der Ausstellung “Alexander Kluge. Gärten der Kooperation” im Württembergischen Kunstverein Stuttgart: einer umfassenden Einzelausstellung des Schriftstellers, Filmemachers und Theoretikers Alexander Kluge …

Heat Death is a sequence of images derived from a single drawing that has been modified by a photocopier. Utilizing an older model Xerox copier to transform the structure, the drawing is replicated to a point of erasure leaving only incidental marks. T …

As with Rambo, Beni Bischof watched the film Bambi (Walt Disney, 1942) over and over again while sitting in front of the TV and painting hundreds of works. From hand-written artworks to loose watercolour figures and more abstract shapes, the book and e …

At the beginning of the twentieth century, the newly emerging mass media began circulating an unwonted volume of information, leading to a huge surge in visualization. The abundance of news required new forms of representation to provide a quick unders …

At the beginning of the twentieth century, the newly emerging mass media began circulating an unwonted volume of information, leading to a huge surge in visualization. The abundance of news required new forms of representation to provide a quick unders …

In the Soviet era Victor Tupitsyn had already begun making recordings in Moscow kitchens and studios of conversations with Russian conceptual artists. They were intended for readers who had no access to these artists, as their work ran foul of official …

Reportagen, das unabhängige Magazin für erzählte Gegenwart. Herausragende Autorinnen und Autoren berichten in spannenden Reportagen aus dieser Welt. Vor Ort recherchiert, persönlich bei den Protagonisten und abseits der ausgetretenen Pfade. Jeden zweit …

RICHARD SENNETT AHMED MATER MARK DION AAU ANASTAS CARLOS GARAICOA SNARKITECTURE D.D. TRANS ANA PENALBA GALIT ARIEL STUDIO FURTHERMORE RICK OWENS SOPHIE ROWLEY STUDIO FORMAFANTASMA CARLO LORENZETTI FERRÉOL BABIN EMMANUEL BABLED Special: MATERIALS

“ToiletMartin PaperParr Magazine” is a new, special edition of “Toiletpaper” published by Damiani. This unique edition celebrates a new suite of pictures presenting a back-to-back of images made in collaboration with Maurizio Cattelan and Pierpaolo Fer …

This issue of Mousse explores the ways in which concerns surrounding exhibition display and elements derived from exhibition architecture have been appropriated by contemporary artworks and art practices, and how artistic modes and attitudes have playe …

Published by Innen, 32 pgs, 19 × 13 cm, Softcover, 2017

OK-RM Laurenz Brunner Girls Like Us Mirko Borsche Stefan Marx Common Name Wax Studios Harry Gassel Jena Myung Published by Actual Source, 196 pgs, 15.5 × 23 cm, Softcover, 2017, 9780997059069

interview magazine

Published by Innen, 16 pgs, 19 × 13 cm, Softcover, 2017,

Published on the occasion of Printed Matter’s New York Art Book Fair at MoMA PS1 September 22 – 24, 2017

Let them eat cultural capital! On trolling and taboo, TERFs and trans desire. A missing brother, an expired visa. Hollywood longs for the Eighties. Design longs for the Seventies. Fiction by Christine Smallwood and Thomas Bolt. 180 pgs, 25 × 18 cm, Sof …

Doppelporträt – eine Gegenüberstellung Analog zum Prinzip der Erinnerung, die sich in fehlerhafter Wiederholung vollzieht, reproduziert Dennis Loesch Bilder und Farben digitalen Ursprungs und überführt diese auf reale Bildträger. Seine überdimensionale …

In this book you will find the covers of design magazines, journals and periodicals of all kinds. They cover many topics – graphic design, typography, architecture, interiors, print, theory and history. But above all, they are brilliant specimens of in …

ize: 220×320 mm Pages: 312 Print: Four colour litho Cover: Four colour litho plus Pantone Special features: Gatefold Letraset timeline ISBN: 978-0-9956664-4-3

acquired cult status. Copies sell for exorbitant prices and only rarely become available. If you want to find back issues, be prepared to pay big money. But it’s now possible to ‘own’ all eight issues and to enjoy them at actual size in a brand-new Kic …

We now have the technology to reach nearby planets. Even though many long-term technical issues still need to be solved to create the conditions for a permanent, self-sustaining human presence on another planet, imagining humans as a multi-planetary sp …

Since 2012, Hans Ulrich Obrist has made a weekly contribution to “Das Magazin,” the weekend supplement of the Swiss “Tages-Anzeiger” newspaper, offering, in the style of a diary, a survey of contemporary art and cultural affairs. Week after week he reports on the main events and relevant issues of our times through the lens of his extensive curiosity.

Sindroms is a journal of monochrome states of mind. Curating its content based on specific colours and investigating them across culture, Sindroms immerses its readers in the feelings and moods evoked by each colour. In this issue: The first issue, Red …

Issue N° 5 opens up the curious life of the cabinet, where intimate stories are hidden away, kept and inevitably shown. Revealing enlightened DIY shelves, immaculate celebrity closets, whimsical cocktail bars, socialist kiosks, classic cubes and cabinets that beat you at a game of chess. Featuring Sam Jacob, Emily King, Les Lalanne, Ettore Sottsass, Slothouber & Graatsma, Wolfgang Tillmans, Yvonne Dröge Wendel and many more. 232 pgs, 27.5 × 21 cm, Softcover, 2017,

Ein eindrucksvolles Standardwerk / Der umfassende Überblick von den Anfängen bis zur zeitgenössischen Schreibmaschinenkunst. Das Sackner Archive of Concrete and Visual Poetry gilt als das größte Archiv seiner Art weltweit und umfasst Werke unterschiedlichster Kunstrichtungen, Stile und Genres. In diesem Band präsentieren die passionierten Sammler Marvin und Ruth Sackner knapp 600 Beispiele von herausragenden Vertretern einer besonderen Kunst: der Typewriter Art. Von den Anfängen dekorativer Schreibmaschinenkunst über Lautgedichte des Dadaismus und konkrete Gedichte der 1960er-Jahre bis hin zu zeitgenössischen Arbeiten, welche die Einzigartigkeit des getippten Blatts im digitalen Zeitalter unterstreichen – allen Werken wohnt eine völlig individuelle, überraschende Kreativität inne. Die internationale Sammlung Konkreter und Visueller Poesie fasziniert in ihrer Vielfalt und hohen Qualität. Ein reich bebilderter, bibliophil gestalteter Prachtband, der dem »Werkzeug« Schreibmaschine ungeahnten Glanz verleiht. Marvin und Ruth Sackner gelten als die Experten der Schreibmaschinenkunst. In ihrem 1979 gegründeten Archiv bewahren sie Zehntausende Werke zum Thema Konkrete und Visuelle Poesie auf.

To mark the occasion of Alexander Kluge’s eighty-fifth birthday, the Museum Folkwang is organizing a comprehensive show of the work of the film-maker, writer, philosopher, and artist. The exhibition is an introduction to Kluge’s artistic “pluriverse” and sets out to illustrate his main methods, themes, and conceptual approaches, with the central focus on his filmic collages. The accompanying book picks up on the themes addressed in the exhibition and concentrates on the principle of work collaboration, which is of key importance for Kluge: the process of “thinking together” with academics and artists, such as Thomas Demand, Georg Baselitz, and Ben Lerner. Both the book and the exhibition are being produced in close collaboration with Alexander Kluge. “Alexander Kluge: Pluriverse” is at the Museum Folkwang Essen from 15 September 2017 to 7 January 2018 and at the 21er Haus in Vienna from February to April 2018. With texts by Leslie A. Adelson, Christoph Streckhardt, Richard Langston, Ben Lerner, Alexander Kluge, Anna Fricke, a.o. 24.00 €

Stéphane Déplan, a Grenoble citizen exiled in Brussels for several years now, regroups his activities under the name of Life as Art as Attitude. He practices a way of making art, through protocol and accumulation. His everyday actions and projects are …

Interview realized between 2016 and 1976. Originally from South Richmond, Virginia, Sissy Hankshaw was born in the Eisenhower Years and now lives in the Dakotas. Sissy has remarkably large thumbs – symbol of emancipation and non-conformity. Thanks to t …

Zum Ende seiner Zeit als Professor für Typografie an der HGB veröffentlicht Günter Karl Bose zusammen mit André Grau, Künstlerischer Mitarbeiter im Studiengang Buchkunst/ Grafik-Design, eine Auswahl von rund 60 Büchern, die in den vergangenen knapp 20 Jahren in der Klasse für Typografie unter ihrer Betreuung entstanden sind. Auch dieser Band ist ein Klassenprojekt, in dem sich die aktuellen Studierenden mit den Arbeiten ehemaliger Studierender der Klasse auseinander gesetzt haben. Fast alle in dem Band versammelten Bücher gewannen Auszeichnungen wie den Sächsischen Staatspreise für Design, Goldene Lettern, Bronze-, Gold- und Silbermedaillen im Wettbewerb „Schönste Bücher aus aller Welt“, „Förderpreise für junge Buchgestalter“ sowie Preise des Typedirectors Clubs New York. Damit spiegelt der Band nicht nur die Nachhaltigkeit und Qualität der Lehre in der Kunst des Büchermachens an der HGB, sondern auch die Einzigartigkeit des Klassenverbands, die an der Akademie strukturell durch den Unterricht im Fachklassensystem verankert ist.

BORSHCH #2 explores new releases and reissued wisdoms, soaks up the sense of revolt manifested in communities, and adheres to the purity of the DIY culture. The magazine introduces extended interviews with Volruptus, the youngster of the second issue w …

Künstlerbuch mit 269 Abbildungen im vierfarbigen Offsetdruck, gestaltet von Katja Schwalenberg mit einem Text von Raimar Stange (dt./ engl.) Leineneinband, 256 Seiten, 11,8×17 cm, Auflage 500 ISBN 978-3-945111-37-6 Erschienen 07/2017

A Road Trip across the United States in Interviews and Photographs

independent, biannual print magazine, showcasing the work of artists, designers, models and musicians.

Contributeurs: Adam Broomberg & Oliver Chanarin, Sophie Calle, Julien Dossena, Études, Fishbach, Thomas Hauser, Hill & Aubrey, Greta Ilieva, Barbara Kasten, Stef Mitchell, Tom de Peyret, Adrian Samson, Surkin, Céline Sciamma, Nicole Maria Winkler

Little Warsaw: Rebels In the heady days following the fall of communism in Hungary, students at the Hungarian Academy of Fine Arts decided to take action. The student rebellion illustrates, in miniature, all the conflicts that abounded during this peri …

Today, the most clever brand communication is self-promulgating. Anyone currently working in brand communication is facing fundamental yet compelling challenges. In an age in which we are flooded with information, consumers are becoming more critical a …

Ordnungssysteme für Schrift. Kimberley Elam. Princeton Architectural Press 2006. Deutsch. 120 Seiten, 17,9 x 21,6 cm. 360 g. Broschur. 9781568985893. art-16074

our favourite photographs

Das Bild zeigt eine grausame Szenerie: Weiße Männer posieren in Sonntagsstaat für die Kamera. Zwei von ihnen mit Siegerminen jeweils eine Hand an den Knöcheln eines Afroamerikaners, den sie offenbar gerade an einem Baum gehängt haben. Der Titel des Bil …

Im Jahr 2014 haben wir mit Urban Subjects (Sabine Bitter, Jeff Derksen und Helmut Weber) die Ausstellung »The Militant Image. Picturing What Is Already Going On, Or The Poetics of the Militant Image« sowie die gleichnamige Publikation produziert, inner …

Künstlerbuch im Zeitungsformat mit schwarz-weißen Abbildungen im Rollenoffsetdruck, gestaltet von Kay Bachmann mit Texten von Dietmar Dath und Britt Schlehahn (dt.) Zeitung, 32 Seiten, 40×57 cm, Auflage 5000 Erschienen 10/2017 ISBN 978-3-945111-42-0

These are times of post-truth, alternative facts and truthiness: at times it seems we are becoming fluent in Newspeak. But even as we have come to adapt to a more flexible view of reality, integrity, sincerity, truthfulness and authenticity remain consecrated ideals of selfhood. ‘Keep it real.’ ‘Stay true to yourself.’ ‘Be yourself.’ These truisms and tautologies have grazed many a coffee cup, self-help book and T-shirt, and they are a standard trope in TED Talks. Though we may cringe when we hear them, many of us have come to accept those corny phrases as conventional wisdom. But is there such a thing as a ‘real me’ or a ‘genuine self’? How does one live an authentic life? And is it possible to do so in fashion, an environment so wedded to the mood of the moment, so seemingly dependent on masks and masquerade, adopted when convenient and shed when no longer useful. Some might say that fashion and authenticity are antithetical: one the definition of the present ethos, the other the value of those who strive to prevail over it. Or so an existentialist, smoking in Les Deux Magots in 1946, would have posited. Only by overcoming the accepted norms imposed on us by our social institutions – family, education, religion, government – can an individual begin to live a truly authentic life. Today, philosophers prefer to think of authenticity as constructed and performed: we are selves upon selves upon selves. In 1981 Jean Baudrillard wrote about simulacra and simulation, meaning that we now have copies depicting things without an original. There is no more reality, only signs and symbols. Our experience of reality is only simulation; what it hides isn’t authenticity but that no such thing is needed for us to understand the world in which we live. Curiously, as philosophers debate the collapse of authenticity in a postmodern world, in consumer capitalism it has taken on a supreme importance: in fashion it’s the holy grail. Terms like ‘artisanal,’ ‘heritage,’ ‘craftsmanship’ and ‘storytelling’ have become buzzwords, and conglomerates are fond of referring to their offices as ‘campus’ and co-workers as ‘family.’ The further away we feel from those values, the more important they become it seems. We speak of ‘real clothes’ as opposed to ‘fashion,’ and ‘real people’ as opposed to models.