LE PETIT VOYEUR is an independent publisher from Copenhagen, dedicated to showcase and promote an eclectic mix of talented and creative visual artists worldwide. The main focus is on the featured artists works and their craftsmanship across genres, tec …

Annual bilingual magazine about the art and the design of books. Find all the books featured in the magazine through its virtual library online.

Nightclubs and discotheques are hotbeds of contemporary culture. Since the beginning of the twentieth century, they have been centres of the avantgarde that question social norms and experiment with different realities, merging interior and furniture d …

Since the 1950s, Egypt has developed a dozen new towns in the desert around Cairo. This book offers the first systematic exploration of these cities, analyzing their urban form, their promise, and their shortcomings. Originally intended to satisfy grow …

Issue Two features the following artists Brooke Holm, New York Camille Moir Smith, Melbourne Céline Bodin, London Melitta Baumeister, New York We Are Huntly, Melbourne Sophie Mensen ‘OS OOS’, Eindhoven Veerle Wenes, Antwerpen Nathalie Rossetti ‘Rossett …

Edit ist eine Zeitschrift aus Leipzig, die dreimal im Jahr neue deutschsprachige Literatur präsentiert. Seit ihrer Gründung 1993 setzt sie sich für zeitgenössische Schreibweisen, die Vielfalt literarischer Formen und Erstübersetzungen ein. Seit 2014 er …

Volume 11 Cocoon is an ever evolving metamorphosis, featuring Milk Tooth by Kingston Trinder, Rites of Passage by Vincenzo Angileri, Ode to Softboy by Eugenia Lapteva and a Fake Monologue from space. Visual essays by Alice Schillaci, Tom Blesch, Rebecc …

In the 1950s, Bruno Lüdke was (erroneously) considered the »greatest mass murderer in criminal history«. The case was kept secret by the Nazis, but since the 1950s it has provided material for sensationalist media revelations and film dramatizations. T …

“Um Poema Errante / A Wandering Poem” is the printed collaboration between travelling poet Christian Marques and visual interpreter Angharad Hengyu Owen. A literary project unlike anything that has ever been published, it embodies a bi-disciplinary re- …

Another Man slip into a netherworld of psychedelic horror… This season, Another Man presents a series of six covers, each a unique and charged exploration of ‘Psychodrama’. First, VINCENT GALLO stars on two covers, photographed by Collier Schorr and st …

The March issue of Texte zur Kunst considers art’s relation to rules — or rather, the exceptions to them that art and its agents seem to claim. How can we speak of rules in the context of art, where transgressions are lauded even while traditional hier …

Exhibition Catalog, 2015

Indeed, the magazine was born a quarter of a century ago, which means an enviable number of years of continuous comics & magazine production, including also innumerable exhibitions, plenty of workshops and other events, not to mention all the comics pu …

Prison Nation Most prisons and jails across the United States do not allow prisoners to have access to cameras. At a moment when 2.2 million people are incarcerated in the US, 3.8 million people are on probation, and 870,000 former prisoners are on par …

The White Review 21, the first issue after a redesign, and with a new editorial team led by editors Zeljka Marosevic and Francesca Wade. The issue features our poetry editor Kayo Chingonyi's interview with acclaimed poet Claudia Rankine, exploring race in America, literary form, and the relationship between poetry and national emergency. We are also pleased to present an interview with pioneering performance artist Joan Jonas, in advance of her major retrospective at the Tate Modern in 2018.

THE ARCHITECTURAL REVIEW (by Owen Hatherley): This wonderful book documents the architectural results of another Soviet anniversary – the celebrations of the centenary of Lenin’s birth in Ulyanovsk, formerly Simbirsk, the small city on the Volga where he was born. Told by the authorities in Moscow that the ‘door would be open’ for them to modernise their mainly wooden, one-storey, Tsarist city for the duration of the celebrations, and that they’d close it immediately when it was over, the local Party rushed to build a Museum, a Library, a Palace of Culture, housing, an Airport and the high-rise Hotel Venets before the tap of money and resources was turned off. In its first year of opening, two Poles, 70 Britons, and more than 3,000 East Germans arrived to stay in the Hotel Venets, and we get to read the inventory of difficult questions they answered (‘can we see how people live in those little wooden houses?’), and find out how hotel staff took it out on the guests.

Combining Polaroid photography and texts in English and Arabic, this book presents creative practices of design that occur on the sidewalk along with the unplanned interventions in the public space that give Cairo its distinctive character. Organized i …

fragments of a street

Die gute Nachricht ist: Scheitern ist relativ. Die schlechte Nachricht: „Scheitern ist [trotzdem] scheiße“, wie unser Autor Mads Pankow treffend feststellt. In form 276 haben wir uns dem Scheitern im Design, am Markt sowie im Digitalen angenommen und Nils Holger Moormann gefragt, wie er zu diesem allseits bekannten, wenn auch ungern thematisierten Vorgang steht.

Adrien Toubiana Al Freeman Alexander Coggin AORTA films Ashkan Sepahvand Benjamin Freedman Birgit Jürgenssen Bonnie Lane Camellia Kazi Christeene Vale Christian Holstad Cupid Ojala D. Alex Pitagora Daniel Handal Duncan Hannah Eric Kostiuk Williams Erin Reznick INVISIBLE-EXPORTS Jessica Baldanza Kate Kolberg Kenya (Robinson) Magdalena Suksi Mat Brown Matt Lambert Natasha Gornik Olivier Smolders Penumbra Paraphernalia Inc. Rebecca Cianfrini Rebecca Morgan Robin F. Williams Sholem Krishtalka Soufiane Ababri Tif Robinette Tina Horn Zak Krevitt

True issue 5 takes us on a tour of continents: from Africa to Europe and across to North America. On the way we’re introduced to individuals, families, their communities and homes. The issue’s diverse group of contributors capture this theme of ‘people and place’ through a variety of lenses: Lea Colombo’s vivid ‘Seven Chakras of South Africa’ shows the people she met during a road trip along the Eastern Cape of her home country in 2016. Pieter Hugo presents an intimate series of family portraits from his archive, entitled ‘Family’. The images, taken in Africa and Europe over the course of a decade, provide glimpses into different family environments that at points feel familiar and at others entirely unknown. Elsewhere Gregory Halpern’s story, ‘Revisiting Omaha’, introduces the communities he met during a residency at the city’s Bemis Center in 2005. Gregory recalls this as an important and foundational period in the development of his photographic style and approach. The universal theme continues in Nick Haymes’ ongoing documentary of Bailey and her circle of friends at the Savage Ranch artistic community in Temecula, California. And in Sam Rock’s photographic essay created during the 2017 French Tennis Open, where he captures the congregation of spectators that share his love of the sport. Elsewhere in the issue are stories created in collaboration: Bibi Cornejo Borthwick and her father Mark Borthwick stage a fashion show on the streets of Brooklyn. While Benedict Brink’s experimental project with set designer Mila Taylor Young and model Yasmine Moon explores form and femininity. Chris Rhodes curates a selection of accidental images, out of focus subjects and frames shot solely to finish rolls of film. And artists Theo Simpson and David Noonan individually present exclusive mixed-media stories that challenge the format of a photo essay. 33 × 24.5 cm, Softcover, 2018,

True is a photography journal that showcases the unpublished personal projects of established and emerging photographers. Unconstrained by commercial focus, it sets different parameters for the creative conversation between publication and contributor. Issue one features exclusive work from Donald Christie, Annemarieke van Drimmelen, Jason Evans, Boo George, Vinca Petersen, Charlotte Wales and Ben Weller. 200 pgs, 33 × 24.5 cm, Softcover, 2015,

True is a photography journal that showcases the unpublished personal projects of established and emerging photographers. Unconstrained by commercial focus, it sets different parameters for the creative conversation between publication and contributor. Issue one features exclusive work from Donald Christie, Annemarieke van Drimmelen, Jason Evans, Boo George, Vinca Petersen, Charlotte Wales and Ben Weller. 200 pgs, 33 × 24.5 cm, Softcover, 2015,

True is a photography journal that showcases the unpublished personal projects of established and emerging photographers. Unconstrained by commercial focus, it sets different parameters for the creative conversation between publication and contributor. Issue one features exclusive work from Donald Christie, Annemarieke van Drimmelen, Jason Evans, Boo George, Vinca Petersen, Charlotte Wales and Ben Weller. 200 pgs, 33 × 24.5 cm, Softcover, 2015,

In this issue of Foam Magazine, which takes as its theme Back to the Future. The 19th Century in the 21st Century and the exhibitions of the same name at Foam Museum (18 January — 28 March 2018) and C/O Berlin (29 September — 02 December 2018), anachro …

In recent years the Argentinian artist Tomás Saraceno has become known around the world for his vision of cloud cities — flying, ostensibly livable structures that people can move around freely in. »Flying Plaza« presents a conceptually important serie …

A meditation on racism—provocative, poetic, and a literary sensation in America. The US American author Claudia Rankine describes forms of racist aggression in everyday life and in the media. Some of them seem random, others are deliberate attacks—in t …

This issue of AnOther Magazine is an exploration of the heroic: the valiant, noble, audacious, brave. However one chooses to de ne the word, the world has rarely needed heroes – people to look up to, be inspired by, and learn from – more than they do today.

Das form feature 2 „Revisiting the Past“ gibt Einblick in sechs Dekaden, in denen form das Designgeschehen maßgeblich begleitet und mitbestimmt hat. Dabei betrachten wir unter anderem, wie Visionen im Bereich der Designforschung formuliert werden, welc …

Over 37 years, i-D has carved its position as the premier source for fashion inspiration, and in 2012, joined the VICE Media family to expand VICE’s reach into digital fashion content. i-D has come a long way since its beginnings as a hand-stapled maga …

Gegen Ende des 20. Jahrhunderts schien eine zur Epoche gewordenen „Moderne“ beendet und mit der Postmoderne der Aufbruch in eine neue Unübersichtlichkeit und einen freien Stilpluralismus entschieden. Um die Jahrtausendwende begann international eine Neubefragung der Moderne. Vor allem in der Bildenden Kunst erfährt die Auseinandersetzung mit dieser Epoche und ihren verschiedenen Phasen aktuell eine unerwartete Intensität. Weltweit entstehen Forschungen und Ausstellungen zu regionalen Modernen, werden übersehene Künstler – auch durch einen hungrigen Kunstmarkt – neu- oder wiederentdeckt. Ein Anreiz zur Auseinandersetzung mit den Utopien und Formsprachen der „ersten“ Moderne kommt dabei nicht zuletzt von den Künstlern, die sich von der historischen Aufbruchsstimmung inspirieren lassen oder die Moderne als „DNA des Zeitgenössischen“ für sich nutzen. Innovationspotential und Ausdrucksformen der Avantgarden wirken zwar noch immer als Gradmesser nach, werden aber einer kritischen Revision unterzogen. Eines ist dabei sicher: Die Grenzen der Moderne werden neu abgesteckt Der vorliegende Band führt mit einleitenden Essays und zahlreichen Interviews mit Künstlern, Kuratoren, Kunsthistorikern/ -kritikern und Museumsdirektoren unterschiedlichste Stimmen zusammen, die diesen akuten „Reload“ der Moderne beleuchten und hinterfragen, warum eine bereits als abgeschlossen gegoltene Epoche wieder so aktuell ist.

Katalog hrsg. von Stephan Berg & René Zechlin. Bonn/Ludwigshafen 2018. Beitr. von Stephan Berg, Dominikus Müller, René Zechlin & Thomas Scheibitz. 23,5 x 30 cm. 304 S. mit 172 (147 farb.) meist ganzseit. Abb., Ausst’verz., Bibliographie, gebunden – Tex …

As the #metoo revelations and protests by the Preis der Nationalgalerie’s nominees demonstrated, gender discrimination and feminist lip-service are alive and well in Berlin. And in this regard, the latest figure of attack is arguably the “influencer”, a typically young, typically slender white woman with an avocado fixation and reams of Instagram followers influencing – well, its not really clear what. Thus for this issue of SLEEK, we’re going beyond this problematic construction to identify people we think are re-shaping culture and transforming existing notions of identity and politics in the digital age.

The Jan/Feb issue explores how events rewrite the rules of engagement. Using immersive technologies to draw visitors into highly engaging experiences, Atelier Brückner recomposes the Hyundai story and Wayne McGregor choreographs a dance with drones.

REVS magazine is a Fashion and Art magazine directed by a team based between New York and Helsinki. It started from the dream of Creative Director Federico Cabrera and his team to later become a timeless publication of cultural value that appeals to ev …

Dazed celebrate four new faces defining the new season, captured by Viviane Sassen, Roe Ethridge, Angelo Pennetta and Johnny Dufort. Elsewhere in an issue spotlighting those who deconstruct what we expect of fashion, Gareth McConnell captures menswear …

Die vorliegende Publikation erscheint im Rahmen der Ausstellung “Alexander Kluge. Gärten der Kooperation” im Württembergischen Kunstverein Stuttgart: einer umfassenden Einzelausstellung des Schriftstellers, Filmemachers und Theoretikers Alexander Kluge …

Heat Death is a sequence of images derived from a single drawing that has been modified by a photocopier. Utilizing an older model Xerox copier to transform the structure, the drawing is replicated to a point of erasure leaving only incidental marks. T …

As with Rambo, Beni Bischof watched the film Bambi (Walt Disney, 1942) over and over again while sitting in front of the TV and painting hundreds of works. From hand-written artworks to loose watercolour figures and more abstract shapes, the book and e …

At the beginning of the twentieth century, the newly emerging mass media began circulating an unwonted volume of information, leading to a huge surge in visualization. The abundance of news required new forms of representation to provide a quick unders …

At the beginning of the twentieth century, the newly emerging mass media began circulating an unwonted volume of information, leading to a huge surge in visualization. The abundance of news required new forms of representation to provide a quick unders …

In the Soviet era Victor Tupitsyn had already begun making recordings in Moscow kitchens and studios of conversations with Russian conceptual artists. They were intended for readers who had no access to these artists, as their work ran foul of official …